tag:blogger.com,1999:blog-36497472350440139562024-02-19T01:48:04.618-08:00estados–geraisARQUIVO / ARCHIVEUnknownnoreply@blogger.comBlogger20125tag:blogger.com,1999:blog-3649747235044013956.post-17117552089542244282010-03-23T12:39:00.000-07:002009-08-07T04:38:30.767-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://estadosgeraisinfo.blogspot.com/2009/03/exposicao-republica-ou-o-teatro-do-povo.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 351px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0bL7uEZqpeTSHA3f1N2BfnWXePOqS5bnUVVkrO16tf6zUxqkVL3Ml2bP0vo4GOo2LMa5EGzHE7Y3C8h36x6QbtqDzohnz0x20I0KkIhDJa3WnCuPn3z2S0spEMz6givfqEqZlDF7Wh6kx/s400/expo1a.jpg" alt="" id="BLOGGER_PHOTO_ID_5360594322820396194" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://estadosgeraisinfo.blogspot.com/2009/03/historia-do-futuro.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 360px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfS3Y6Blgi4mGIPvQjgfJtCT9Ui_rUC4rfnfdBNUZQ10eqf8pv-pVsJzZ1ewNUCpw8VYRraK3cXLG4i08EePj72-PceORgCO4ix3fgbuSdLmF9YEW7VQ4bzTCzHe37UIcu3vQdwCfeUtPu/s400/futuro2.jpg" alt="" id="BLOGGER_PHOTO_ID_5360594318817515026" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://estadosgeraisinfo.blogspot.com/2009/03/kubla-hhan.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 350px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnrgaSKiC1g8BdpirOAo9JLgi5m62MJEB6KABYSfQZOm8skY2sIE8CbPZzPJ82pOadZ6lhXx9spfLyxrWiJIJ2BvKjcZsIk2SekOa_bbW3uR6-gqmROWthlYyN0D4cqlKRdJa_Ec3EupyE/s400/kk.jpg" alt="" id="BLOGGER_PHOTO_ID_5360594304410572498" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://estadosgeraisinfo.blogspot.com/2009/06/blog-post_13.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 350px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwZ9PzCxtGXCehH9BwKP7_HR19fXj7ezDrSHAo0okxTTCi2tR5YZDEYZk-dUWt7Ll4gJD-pR1mRkVd7caHB6SGbpuYOiKkaKv2FHIlx7jpRm6oRGZZ9Qy8Ev0ZYRjwnH9ZeExIdAl0aMTh/s400/vid.png" alt="" id="BLOGGER_PHOTO_ID_5360594300342686578" border="0" /></a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-91464439377211870162010-01-23T13:37:00.000-08:002009-03-28T04:15:32.450-07:00<span style="font-weight: bold;">ESTADOS – GERAIS</span><br /><span style="font-weight: bold;">Abril-Julho 09 | Arte Contempo | Lisboa</span><br /><span style="color: rgb(102, 102, 102);"><br />(ENGLISH VERSION BELOW)</span><br /><br />ESTADOS–GERAIS é um ciclo de quatro exposições e eventos,<br />organizado por um grupo informal, de geometria variável, de jovens artistas portugueses. Em parceria com a associação Arte Contempo, o ciclo decorre entre 4 de Abril e 18 de Julho de 2009, no espaço da associação e, pontualmente, noutros locais da cidade de Lisboa. O ciclo insere-se na programação anual da Arte Contempo, estrutura financiada pelo Ministério da Cultura – DGArtes.<br /><br />Partindo de preocupações dos diversos elementos da organização, o ciclo propõe-se como um espaço-tempo para a actualização, no contexto nacional, de debates e aproximações críticas comuns à arte contemporânea afirmando-se a necessidade de perpetuar um pensamento ético relativo às condições de produção e recepção, contra uma tendência de especulação efémera.<br /><br /><span style="color: rgb(51, 51, 51);">ORGANIZAÇÃO:</span><br /><span style="color: rgb(51, 51, 51);">ANA BALIZA, ANA MANSO, ANDRÉ ROMÃO, GONÇALO SENA,<br />JOANA ESCOVAL, MARGARIDA MENDES, MARIANA SILVA,<br />NUNO DA LUZ, PEDRO NEVES MARQUES.</span><br /><br />PARCEIRO: Associação Arte Contempo<br /><br />APOIOS: Fundação Calouste Gulbenkian<br /><br />APOIO DIVULGAÇÃO: Metropolitano de Lisboa<br />_______________________________________________<br /><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">ESTATES – GENERAL </span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">April-July 09 | Arte Contempo | Lisbon</span><br /><br /><span style="color: rgb(102, 102, 102);">ESTATES–GENERAL is a cycle of four exhibitions and events<br />organised by an informal group of young Portuguese artists in partnership with Arte Contempo association.</span><br /><span style="color: rgb(102, 102, 102);">The cycle runs at the association’s exhibition space and other venues around Lisbon between the 4th of April and the 18th of July of 2009.</span><br /><span style="color: rgb(102, 102, 102);">The cycle is part of the association’s annual programme, being Arte Contempo a structure supported by the Ministry of Culture - DGArtes. </span><br /><span style="color: rgb(102, 102, 102);">Following on from the interests of the various members of the group, the cycle proposes a space-time for the actualisation of debates and critical approximations common to contemporary art in a national context, affirming the necessity to perpetuate ethical thinking relating to conditions of production and reception, in contrast with a tendency for ephemeral speculation. </span><br /><br /><span style="color: rgb(102, 102, 102);">ORGANISATION:<br />ANA BALIZA, ANA MANSO, ANDRÉ ROMÃO, GONÇALO SENA,<br />JOANA ESCOVAL, MARGARIDA MENDES, MARIANA SILVA,<br />NUNO DA LUZ, PEDRO NEVES MARQUES.</span><br /><br /><span style="color: rgb(102, 102, 102);">IN PARTNERSHIP WITH: Associação Arte Contempo</span><br /><br /><span style="color: rgb(102, 102, 102);">SUPPORTED BY: Fundação Calouste Gulbenkian<br /><br />MEDIA PARTNER: Metropolitano de Lisboa</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-51901280019891615052009-06-19T12:22:00.000-07:002009-09-16T07:19:25.736-07:00<div><br /></div><div><br /></div><div><span style="font-weight: bold; font-size:100%;">———————————————</span><span style="font-weight: bold; font-size:100%;">———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold; font-size:100%;">VISTAS DA INSTALAÇÃO/ INSTALLATION VIEWS</span><div><span style="font-size:100%;"></span><span class="Apple-style-span" style="font-weight: bold; ">fotografias/photographs: Bruno Lopes<br /></span><div><span style="font-weight: bold; font-size:100%;"><br />———————————————</span><span style="font-weight: bold; font-size:100%;">———————————————</span></div></div></div><div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDUR8aOY7nfuXlLSs6wjs8apKsSMzKjnaUwJiAE2oTU8T0vte67c-aEXBsxR4U__7Cw_KPdWvjk0zH30bVUa4BeuywPtXSpilaSe-D_qApt68FsIfYjqG_8jpKiMQ28kY0qGetM1658eiZ/s1600-h/Exb_as_School-2.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDUR8aOY7nfuXlLSs6wjs8apKsSMzKjnaUwJiAE2oTU8T0vte67c-aEXBsxR4U__7Cw_KPdWvjk0zH30bVUa4BeuywPtXSpilaSe-D_qApt68FsIfYjqG_8jpKiMQ28kY0qGetM1658eiZ/s400/Exb_as_School-2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382063159151077730" /></a><span class="Apple-style-span" style="font-style: italic;">Various publications </span>e/and<span class="Apple-style-span" style="font-style: italic;"> Video Database , </span>2009<div>publicações várias, base de dados vídeo, 160 horas</div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);">various publications, video data base, 160 hours</span><br /><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLGllfzoaCOiXU7lk0SUmUtDV-g8CYMMEaQ9nhJorL-Sjg_R58d6q-zVJToX-yTCCTN1uetoEgIwENPDtuN2tw2nLnEygVGJC0GTVaa9xRDq3dpMcU1b6BirhQp9CDH2YsS5vofzePJtyO/s1600-h/Exb_as_School-1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLGllfzoaCOiXU7lk0SUmUtDV-g8CYMMEaQ9nhJorL-Sjg_R58d6q-zVJToX-yTCCTN1uetoEgIwENPDtuN2tw2nLnEygVGJC0GTVaa9xRDq3dpMcU1b6BirhQp9CDH2YsS5vofzePJtyO/s400/Exb_as_School-1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062996195915250" /></a><span class="Apple-style-span" style="font-style: italic;">Untitled </span>e/and <span class="Apple-style-span" style="font-style: italic;">Plants</span><span class="Apple-style-span" style="font-style: italic; ">, </span>2009<div>plantas, maquete à escala 1:25 do edifício Unitednationsplaza, Berlim, fabricado por mixedmedia em Berlim</div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);">plants, 1:25 scale model of Unitednationsplaza, Berlin, fabricated by Mixedmedia Berlin</span></div><div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5JVDaufmqDs-nKq-u0czg_lRbDd1wYhoNwypT30UEliNprX61jQEGEUNmUxk2OLqbfXXRUFJ9ZYrXQh95Amr7wW9wTR6E08aR6fVY-N1udUrhfRPqgGrxceDWiOE8yKTcZ_-PcS9Gs_2i/s1600-h/Exb_as_School-3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5JVDaufmqDs-nKq-u0czg_lRbDd1wYhoNwypT30UEliNprX61jQEGEUNmUxk2OLqbfXXRUFJ9ZYrXQh95Amr7wW9wTR6E08aR6fVY-N1udUrhfRPqgGrxceDWiOE8yKTcZ_-PcS9Gs_2i/s400/Exb_as_School-3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062989608910290" /></a></div><div><div><br /></div></div><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfvqXnbINb_824ofuY6TWYwj02ZXhtb_sAjIk4zNv_D1PgFgHqSowbq2I6azN9y1hyphenhyphenstioVY94Hlf83lgU5KTPVP1jAU6j1xfjHrSmv1gbzUReQiwK_osZ0MuUXo1Kf_gvrjPgQey9q8Qd/s1600-h/Exb_as_School-24.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfvqXnbINb_824ofuY6TWYwj02ZXhtb_sAjIk4zNv_D1PgFgHqSowbq2I6azN9y1hyphenhyphenstioVY94Hlf83lgU5KTPVP1jAU6j1xfjHrSmv1gbzUReQiwK_osZ0MuUXo1Kf_gvrjPgQey9q8Qd/s400/Exb_as_School-24.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062775220401106" /></a></div><div><br /></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhalYO2tbxN3H8jxjM6BNvV-fEY92RPiAZD6Rb-3eqBBXD11hIc6g7CUerHYYq-BWLys33zxKO6vDFjrHfU8b_MtQrp4D2qoV4JWneF4Sijg-brLxxqBeB2Cztla1EVCgQd8EjMlgwyREPt/s1600-h/Exb_as_School-25.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhalYO2tbxN3H8jxjM6BNvV-fEY92RPiAZD6Rb-3eqBBXD11hIc6g7CUerHYYq-BWLys33zxKO6vDFjrHfU8b_MtQrp4D2qoV4JWneF4Sijg-brLxxqBeB2Cztla1EVCgQd8EjMlgwyREPt/s400/Exb_as_School-25.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062652383360802" /></a><div><br /></div><div><div><br /></div></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj88Mh7jyr2QB-ToR7VcfqNcYIAad_vLnq1rXnEv1qQnCpVb7Nv_8Yogmsa0VyRWkoXZBq2gOnIUZZn6rhfNUKuPPtm_VKKuI5He423YSTqCQ2mSQR-sH6z-2ho69urrBDRbArTR70Sks16/s1600-h/Exb_as_School-26.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj88Mh7jyr2QB-ToR7VcfqNcYIAad_vLnq1rXnEv1qQnCpVb7Nv_8Yogmsa0VyRWkoXZBq2gOnIUZZn6rhfNUKuPPtm_VKKuI5He423YSTqCQ2mSQR-sH6z-2ho69urrBDRbArTR70Sks16/s400/Exb_as_School-26.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062403078418962" /></a><br /></div><div><br /></div><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij0VrJxbxrpbMuP6mQJnRRv38Z-2O_I5cRGayS32a3r_H9RZp2UucyZ8712QCTJ7n2avjvdvZJyrnlmrapDb1uki9UEWj51EBCT_MIGqoX0k8r8dSluV0doRcq3zkJCqQcRYNjAfX_vncg/s1600-h/Exb_as_School-21.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij0VrJxbxrpbMuP6mQJnRRv38Z-2O_I5cRGayS32a3r_H9RZp2UucyZ8712QCTJ7n2avjvdvZJyrnlmrapDb1uki9UEWj51EBCT_MIGqoX0k8r8dSluV0doRcq3zkJCqQcRYNjAfX_vncg/s400/Exb_as_School-21.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062218279173282" /></a><span class="Apple-style-span" style="font-style: italic;">NEW YORK CONVERSATIONS (rough cut)</span>, 2009</div><div>filme DV <span class="Apple-style-span" style="color: rgb(102, 102, 102);">| DV film 95'</span></div><div><br /></div><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8y1E8zMUbtE3zZhN77HfOuSPR3tMW19ZvbVz63Q6JaIaAinm6wW_NL63EZsbDANhw7CKbjchmsepxPrd_6F9In2DVXJCN8nS96HAdwAdq06af1HEV1gFIzhQZ3vy4ozgh1LxRpo09d11K/s1600-h/Exb_as_School-23.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8y1E8zMUbtE3zZhN77HfOuSPR3tMW19ZvbVz63Q6JaIaAinm6wW_NL63EZsbDANhw7CKbjchmsepxPrd_6F9In2DVXJCN8nS96HAdwAdq06af1HEV1gFIzhQZ3vy4ozgh1LxRpo09d11K/s400/Exb_as_School-23.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5382062120122771986" /></a><div><span class="Apple-style-span" style="font-style: italic; ">NEW YORK CONVERSATIONS (rough cut)</span>, 2009</div><div>filme DV <span class="Apple-style-span" style="color: rgb(102, 102, 102);">| DV film 95'</span></div><span class="Apple-style-span" style="font-weight: bold;"><br /></span><div><div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></div></div></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-83229407789685008392009-06-14T16:28:00.000-07:002009-07-13T02:56:36.185-07:00<span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >JUNHO/JUNE<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOqh5IDmjE7L0UcSHeY4IZ4VQYKkMg9O3Bxx4Yb-FeuGjg1MvNNM8wXXEHk9z2TjJOvSxBZTHl3-62_2UjkF-birZGxaNru3dA1OYGhwSesmkNoJ-Qk9dyfZA1rJ4ApkNWWXhNn2k_g1kI/s1600-h/vid.png"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOqh5IDmjE7L0UcSHeY4IZ4VQYKkMg9O3Bxx4Yb-FeuGjg1MvNNM8wXXEHk9z2TjJOvSxBZTHl3-62_2UjkF-birZGxaNru3dA1OYGhwSesmkNoJ-Qk9dyfZA1rJ4ApkNWWXhNn2k_g1kI/s200/vid.png" alt="" id="BLOGGER_PHOTO_ID_5349568896132354962" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:100%;"><span style="font-weight: bold;"><br />26 de JUNHO </span></span><span style="font-weight: bold;font-size:100%;" >— 22 H </span><span style="font-size:100%;"><br /></span><div><span style="font-weight: bold;font-size:100%;" >ARTE CONTEMPO</span><span style="font-size:100%;"><br />Inauguração da exposição EXPOSIÇÃO COMO ESCOLA<br />de ANTON VIDOKLE<br /></span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" ><br />26th of JUNE — 10 PM<br />ARTE CONTEMPO<br /></span></div><span style="color: rgb(102, 102, 102);font-size:100%;" >Opening of the exhibition EXHIBITION AS SCHOOL<br />by ANTON VIDOKLE<br /></span><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold;font-size:100%;" ><br /></span></span></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSc_cfvUZ1zqN5L3I9ukbPhOjHJ4OrzzTALhNvSkZI5EFADmYDcKzNTsfheO0BfeChbVmoC7JsgytCjJ0ApkLUYc-5cTzG45VJcm-yuj5rU-BG48VJ2qakdv1_DO5iUlhDeLIbEvEvyD_v/s1600-h/jan.png"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSc_cfvUZ1zqN5L3I9ukbPhOjHJ4OrzzTALhNvSkZI5EFADmYDcKzNTsfheO0BfeChbVmoC7JsgytCjJ0ApkLUYc-5cTzG45VJcm-yuj5rU-BG48VJ2qakdv1_DO5iUlhDeLIbEvEvyD_v/s200/jan.png" alt="" id="BLOGGER_PHOTO_ID_5350689195948811666" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">27 de JUNHO - 21.30 H<br />ARTE CONTEMPO<br /></span><span class="Apple-style-span">CONFERÊNCIA DE JAN VERWOERT</span><span class="Apple-style-span" style="font-weight: bold;"><br /></span>(integrada em Exhibition as a School)<br /><div><em><strong></strong></em><br /><span style="line-height: 16px;"><span style="line-height: normal;"><b><span style="font-weight: normal; line-height: 16px;"><span>Jan Verwoert </span></span></b></span></span>falará em torno da questão da autoridade da figura do<br />artista na sua relação com a audiência.<br /><br /><span style="line-height: 16px;"><span style="line-height: normal;"><b><span style="font-weight: normal; line-height: 16px;"><span>Jan Verwoert é um crítico baseado em Berlim. É editor da revista Frieze,<br />escreve também regularmente sobre arte contemporânea para revistas como<br />Afterall, Metropolis M. Lecciona no departamento de MA Fine Arts no<br />Piet Zwart Institute de Roterdão. </span></span></b></span></span><br /></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"><br /></span></div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">27th of JUNE - 9.30 PM</span> <span style="color: rgb(102, 102, 102);"><b><br />ARTE CONTEMPO<o:p></o:p></b></span><span style="color: rgb(102, 102, 102);"><br />LECTURE BY JAN VERWOERT<br /></span><span style="color: rgb(102, 102, 102);">(inserted in Exhibition as a School)</span><br /><span style="color: rgb(102, 102, 102);"><br /></span><span style="color: rgb(102, 102, 102);">Jan Verwoert will hold a talk on the matter of the authority of the figure<br />of the</span><span style="color: rgb(102, 102, 102);"> artist vis-a-vis audience.<br /></span><span style="line-height: 16px; color: rgb(102, 102, 102);"><span style="line-height: normal;"><b><span style="font-weight: normal; line-height: 16px;"><span><br />Jan Verwoert is an art critic based in Berlin. He is a contributing editor<br />to Frieze magazine and also writes regularly about contemporary art for<br />such art magazines as Afterall, Metropolis M. Teaches at the MA Fine Arts<br />department at the Piet Zwart Institute Rotterdam. </span></span></b></span></span><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" ><br /></span></span></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi29YoW7b92rlU2v608SDL_XHDXfBFN9YnBUET9oTO7lToTlrKDLfGVvEgR_l4UISxrxMaXhHIonWq3iqH0Alcc_ncVY-qYpW_XCNQJbCtMCSOkQxUOWJx7kQ4wy4QwHxNkoRch5mQoUPCm/s1600-h/vid+C.png"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi29YoW7b92rlU2v608SDL_XHDXfBFN9YnBUET9oTO7lToTlrKDLfGVvEgR_l4UISxrxMaXhHIonWq3iqH0Alcc_ncVY-qYpW_XCNQJbCtMCSOkQxUOWJx7kQ4wy4QwHxNkoRch5mQoUPCm/s200/vid+C.png" alt="" id="BLOGGER_PHOTO_ID_5350689196154493458" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">30 de JUNHO - 21.30 H<br />ARTE CONTEMPO<br /></span><span class="Apple-style-span">CONVERSA COM ANTON VIDOKLE</span><span class="Apple-style-span" style="font-weight: bold;"><br /></span>(integrada em Exhibition as a School)<br /><br /><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">30th of JUNE - 9.30 PM</span> <span style="color: rgb(102, 102, 102);"><b><br />ARTE CONTEMPO<o:p></o:p></b></span><span style="color: rgb(102, 102, 102);"><br />CONFERENCE BY ANTON VIDOKLE<br /></span><span style="color: rgb(102, 102, 102);">(inserted in Exhibition as a School)</span><span style="color: rgb(102, 102, 102);"><br /><br /></span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >JULHO / JULY<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" ><br /></span></span></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy4adqyjTvdrDpIqA2c6OjsMnjWLrg5c1diUDVR1ixuByaEl9Z4nE9sJfmOyABlGSt-Pgk50VRSvjegYXJ3l9yRre6x1K_d50eGLdrjT-Lgo-DvLSHNdwRmn8E3fyZdPZ_C6KwsapA-F-U/s1600-h/luis+silva.png"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy4adqyjTvdrDpIqA2c6OjsMnjWLrg5c1diUDVR1ixuByaEl9Z4nE9sJfmOyABlGSt-Pgk50VRSvjegYXJ3l9yRre6x1K_d50eGLdrjT-Lgo-DvLSHNdwRmn8E3fyZdPZ_C6KwsapA-F-U/s200/luis+silva.png" alt="" id="BLOGGER_PHOTO_ID_5350695917370448802" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">8 de JULHO - 21.30 H<br />SPORT LISBOA E LAPA<br /></span><div>CONVERSAS COM CURADORES: LUIS SILVA<br /><br />Luís Silva é um crítico e curador independente que trabalha em Lisboa e Amesterdão. Actualmente é um dos participantes do Programa Curatorial do De Appel, em Amesterdão. Até recentemente, Silva colaborou com a Lisboa 20 Arte Contemporânea, em Lisboa, como Coordenador Geral e Curador dos projectos Upgrade! Lisbon e LX 2.0. Para além desta prática institucional, tem vindo a desenvolver vários projectos independentemente, como I tag you tag me: a folksonomy of Internet art, (TAGallery, Viena, 2007), FW: Re: Re: (Rhizome at The New Museum, Nova Iorque, 2008), Curating a Routine (Lisboa, 2009), entre outros. Colaborou recentemente com a Rhizome at The New Museum como Curatorial Fellow e tem vindo a publicar inúmeros artigos e críticas sobre arte e media.<br /><br /><span style="font-size:100%;"><span></span></span><br /></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">8th of JULY - 9.30 PM</span><br /></div><span style="color: rgb(102, 102, 102);"><b>SPORT LISBOA E LAPA<o:p></o:p></b></span><span style="color: rgb(102, 102, 102);"><br />CONVERSATIONS WITH CURATORS: LUIS SILVA<br /><br /></span><span style="border-collapse: collapse; color: rgb(102, 102, 102);"><span lang="EN-US">Luis Silva is an independent curator and writer based in Lisbon and Amsterdam. Currently he is a participant of De Appel's Curatorial Programme in Amsterdam and co-curator of Kunsthalle Lissabon in Lisbon. Silva has worked until recently as Lisboa 20 Arte Contemporânea's General Coordinator and Curator of LX 2.0 and Upgrade Lisbon. Besides his institutional practice, Silva has curated several projects independently, namely Online - Portuguese Netart 1997-2004 (Lisbon, 2005), I tag you tag me: a folksonomy of Internet art, (TAGallery, Vienna, 2007), FW: Re: Re: (Rhizome at The New Museum, New York, 2008), Curating a Routine (Lisbon, 2009), amongst others. He recently collaborated with Rhizome at The New Museum as Curatorial Fellow and has published extensively reviews and texts addressing the issues of art and media.</span></span><br /><span style="color: rgb(102, 102, 102);"><br /></span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————<br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis9i2GLA5J1rTPnRMD3NL6kwCoENV209SSNdOJTLvUY30nutGnLiVuOyIIfqsiUX4s8anKrSljo96Jk9sOp20VmkqKo57b5juAunoWynPbURHLhyphenhyphenmazSQH8pSnEVZ-3LofpD2jHhcB-NLo/s1600-h/FLYER.png"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis9i2GLA5J1rTPnRMD3NL6kwCoENV209SSNdOJTLvUY30nutGnLiVuOyIIfqsiUX4s8anKrSljo96Jk9sOp20VmkqKo57b5juAunoWynPbURHLhyphenhyphenmazSQH8pSnEVZ-3LofpD2jHhcB-NLo/s200/FLYER.png" alt="" id="BLOGGER_PHOTO_ID_5357880079855063906" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">SÁBADO 18 de JUNHO - 00H00 ás 04H00<br /></span>FINISSAGE CICLO ESTADOS GERAIS<br />FESTA<br />BAR COPENHAGEN - CAIS DO SODRÉ<br />dj set estados–gerais<br />entrada: 2 eg<br /><br /><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">SATURDAY the 18th of JULY </span><br /><span style="color: rgb(102, 102, 102);"><b><o:p></o:p></b></span><span style="color: rgb(102, 102, 102);">CYCLE ESTATES–GENERAL FINISSAGE<br />PARTY<br />BAR COPENHAGEN - CAIS DO SODRÉ<br />dj set estados–gerais<br />entrace: 2 eg<br /><br /></span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————<br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-46977873845112210482009-06-13T11:31:00.000-07:002009-06-23T16:41:09.439-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg64QEwRJtDr0dtGXq5SB4rGXj728X-tFjdKZgKtxF_lihqbk66vD0HFDivacXp7W2e4zN1_YuHhzGMALhPUxYMV7dvw1lgE1KVu0RJkgH59ArxC3UIVTr8q977my7XJHmIBHXAINbcL6Uz/s1600-h/vid.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 350px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg64QEwRJtDr0dtGXq5SB4rGXj728X-tFjdKZgKtxF_lihqbk66vD0HFDivacXp7W2e4zN1_YuHhzGMALhPUxYMV7dvw1lgE1KVu0RJkgH59ArxC3UIVTr8q977my7XJHmIBHXAINbcL6Uz/s400/vid.png" alt="" id="BLOGGER_PHOTO_ID_5350672228455844530" border="0" /></a><br /><div> <div style="font-weight: bold;" class="gmail_quote"><strong>Anton Vidokle:<br /><em>Exhibition as School/ Exposição como Escola</em></strong></div> <div style="font-weight: bold;" class="gmail_quote">25 Junho - 18 Julho 09 </div> <div class="gmail_quote"><span style="font-weight: bold;">Ciclo estados-gerais</span><br /><span style="font-weight: bold;">Arte Contempo, Lisboa</span><br /><br /></div> <div style="color: rgb(102, 102, 102);" class="gmail_quote"> </div> <div style="color: rgb(102, 102, 102);" class="gmail_quote">(please scroll down for english version)</div> <div class="gmail_quote"> </div> <div class="gmail_quote"><br />Juntamente com um amplo grupo de colaboradores, que inclui Julieta Aranda, Boris Groys, Liam Gillick, Martha Rosler, Walid Raad, Nikolaus Hirsch, Brian Kuan Wood, Natascha Sadr Haghighian, Hila Peleg, Rirkrit Tiravanija e Jan Verwoert, Vidokle tem vindo a desenvolver experiências com um largo conjunto de modelos económicos e culturais (uma biblioteca, um clube de vídeo, uma escola, um jornal de arte ou uma cantina) em projectos como<span style="font-style: italic;"> </span><em>Unitednationsplaza</em>, <em>Martha Rosler Library, e-flux video rental, Pawnshop, Night School, e-flux journal </em>e <em>New York Conversations</em>.<br /><br /></div></div> <div class="gmail_quote"> <div> <div>Abordando estes projectos como situações temporárias mas plenamente funcionais, e que podem existir no interior ou exterior de instituições de arte, Vidokle tem desenvolvido um corpo de trabalho capaz de uma certa re-imaginação de um potencial poético e organizacional de formas sociais específicas. Na conversão de uma exposição numa escola, de uma conferência em contexto de feira de arte num tribunal, ou de uma biblioteca privada de um artista numa exposição, Vidokle tem trabalhado continuamente na criação de novas condições para a produção, circulação e discussão em torno de arte, reconhecendo esta actividade ela mesma enquanto prática artística.<br /><br />Para a exposição nos estados-gerais, Vidokle apresenta várias novas peças de natureza arquivista, as quais incluem uma maquete do edifício que albergou a <em>Unitednationsplaza</em> em Berlim - uma escola livre com a duração de um ano iniciada pelo artista em 2006 no seguimento do cancelamento da Manifesta 6 no Chipre; uma base de dados vídeo constituida por aproximadamente cem conferências, conversas e seminários que tem vindo a organizar nos últimos 3 anos em Berlim, na Cidade do México e Nova Iorque; um filme inédito entitulado<span style="font-style: italic;"> </span><em>New York Conversations</em>, gravado no Verão de 2008 durante três dias de sessões públicas relativas à edição da Aprior Magazine, evento para o qual a montra do <em>e-flux</em> no Lower East Side em Nova Iorque foi transformada num restaurante temporário e livre; uma versão impressa do jornal online <em>e-flux journal</em>, bem como variadas publicações resultantes de diversos outros projectos.<br /><br />(Anton Vidokle nasceu em Moscovo e vive actualmente em Nova Iorque e Berlim)</div></div></div> <div><br />------------------------------------------------------------------------------<br /><br /><div style="font-weight: bold; color: rgb(102, 102, 102);" class="gmail_quote"><strong>Anton Vidokle:<br /><em>Exhibition as School</em></strong></div> <div style="font-weight: bold; color: rgb(102, 102, 102);" class="gmail_quote">25th of June - 18th of July 09 </div> <span style="font-weight: bold; color: rgb(102, 102, 102);">Cycle estates-general</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Arte Contempo, Lisbon</span><br /><br /><div style="color: rgb(102, 102, 102);" class="gmail_quote"> <div class="gmail_quote">Together with a large group of collaborators including Julieta Aranda, Boris Groys, Liam Gillick, Martha Rosler, Walid Raad, Nikolaus Hirsch, Brian Kuan Wood, Natascha Sadr Haghighian, Hila Peleg, Rirkrit Tiravanija and Jan Verwoert; Vidokle has experimented<br />with a wide range of existing economic and cultural models (a library, video rental shop, a school, an art journal or a cafeteria) on projects such as <em>Unitednationsplaza, Martha Rosler Library, e-flux video rental, Pawnshop, Night School, e-flux journal</em> and <em>New York Conversations.</em><br />Constructing these as temporary yet fully functional situations that can exist within or outside art institutions, Vidokle has been developing a body of work that enables a certain re-imagination of organisational and poetic potential of concrete social forms. Converting an exhibition into a school, an art fair conference into a trial or an artist's personal library into an art exhibition, Vidokle has continuously attempted to create new conditions for production, circulation and discussion of art, recognising this activity as art practice.<br /><br />For the exhibition at estates-general, Vidokle presents several new works of an archival nature, including an exact scale model of the building which housed <em>Unitednationsplaza</em> in Berlin - an year-long, free school started by the artist in 2006, following the cancellation of Manifesta 6 in Cyprus; a video database comprising nearly one hundred lectures, talks and seminars he organized during the past 3 years in Berlin, Mexico City and New York; a new feature film entitled New York<em> Conversations,</em> shot in the summer of 2008 during a three day public editorial session of Aprior Magazine, for which <em>e-flux's</em> storefront in Lower East Side New York was transformed into a temporary free restaurant; a print version of online <em>e-flux journal</em> as well as various publications resultant of some of his other projects.<br /><div><br />(Anton Vidokle was born in Moscow and currently lives in New York and Berlin.)</div></div></div> <blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0px 0px 0px 0.8ex; padding-left: 1ex;"> <div class="gmail_quote"> <div class="gmail_quote"> <div class="gmail_quote"> <div> </div> </div></div></div></blockquote><br /></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-64627182788874632822009-06-12T12:16:00.000-07:002009-06-12T12:22:40.122-07:00<span style="font-weight: bold;">BIOS</span><br /><br /><span style="font-weight: bold;">ANA MANSO (PT 1984)</span><br />Exposições Individuais: Then, it’s a day like any other day, na Magyar Muhely Gallery, Budapeste (HU) 2008,enquanto residente na Magyar Műhely Galéria.<br />Colectivas: A River ain’t too much to love, Spike Island, Bristol (UK), O Ladrão de Túmulos, Lagar do Azeite, Oeiras (PT), Eurásia, Casa Museu Anastácio Gonçalves, Lisboa (PT), 2008; Anteciparte 2007, Museu de História Natural, Lisboa (PT), Antes que a Produção Cesse, Espaço Avenida, Lisboa (PT) 2007; O Pavilhão de Augusta Narval, Rua do Alecrim 28b, Lisboa (PT) 2006; T8, Prédio Vista Alegre, Lisboa (PT) 2004.<br />Foi residente na Eira33 durante Ambulatório, Lisboa (PT) 2007. Participou na publicação Atlas Projecto Desenho, lançada na Fundação Carmona e Costa, Lisboa (PT) 2008.<br /><br /><span style="font-weight: bold;">INVERNOMUTO (IT 1982, 1983)</span><br />Invernomuto foi fundado em 2003 por Simone Bertuzzi e Simone Trabucchi, com a colaboração de Davide Barbieri relativamente a aspectos músicais.<br />Invernomuto participou em em váriados eventos e exposições colectivas, entre as quais “Italian Live Media 04” (Roma, 2004), “Domus Circular” (Milão, 2005), “Cinema Infinito/Never Ending Cinema” (Trento, 2006), “Netmage 07” (Bolonha, 2007) ou “Invisible Miracles” (Milão, 2007). Em 2006 Invernomuto curaram a sua primeira exposiçao individual: “Whalesland”, C/O careof (Mi), seguida de “Teastas Mor”, Paris (Galerie Patricia Dorfmann, September 2008). A sua ffwd_mag foi já apresentado em variadas cidades italianas.<br /><br /><span style="font-weight: bold;">RYAN FOERSTER (CA 1983)</span><br />Exposições individuais: Photographs, Bortolami project room, New York (EUA), Black & Blue, Swiss Institute project room, New York (EUA), Rats in the Hallway, 527 W 48 st, New York (EUA)/ Allmänna Galleriet, Stockholm (SW) 2008; White Gallery, Paris, (FR), White Columns, the Bulletin Board, New York (EUA) 2007; Here Comes the Sun, Alphaville, Melbourne (AUS); Happenis, Clint Roenisch Gallery, Toronto (CA) 2006.<br />Participou em várias exposições colectivas incluíndo Bring Me Back a T-shirt, V & A gallery, curadoria de Erik Lindman, New York (EUA) 2008; Ryan Foerster & Paul D’Alymaur, curadoria por Bozidar Brazda, 127 New York (EUA), Gifts, Art Metropole, Toronto (CA) 2007; Vice Annual Photo Show, Silverstein Photography New York (EUA), Video Slam, curadoria por Allen Frame, SVA New York (EUA) 2006; entre outras.<br /><br /><span style="font-weight: bold;">ANTÓNIO BOLOTA (AO 1962)</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-90490172129582768192009-06-03T04:41:00.000-07:002009-06-26T04:21:13.293-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizWStrvOqnvf9yJu_parKjZFatRUrbsBg_1VKM9vvrdRkxlVndhA3yi9CyFCDziBurK-1fOR1TOdko_jWmIgHsj9z9KuGWt9ySnhKFVLIojhhDnV5R3Ti7ojfzznwxrV0dYwS1wAyJkIKw/s1600-h/MOBIL+logo+blog.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizWStrvOqnvf9yJu_parKjZFatRUrbsBg_1VKM9vvrdRkxlVndhA3yi9CyFCDziBurK-1fOR1TOdko_jWmIgHsj9z9KuGWt9ySnhKFVLIojhhDnV5R3Ti7ojfzznwxrV0dYwS1wAyJkIKw/s400/MOBIL+logo+blog.jpg" alt="" id="BLOGGER_PHOTO_ID_5346525730688532610" border="0" /></a><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPjCiTuYfUOmitx1gU3W6u_I095WVJxmOZG905Vj1OGth2yvDK0ckv-DEZ8-Xw6nMkBB4sO7k7Z5lsXpTgvtNc_u9rMb7W0osC7rfbJn-A6wT89jRy4s6cyt8gKggAPGQyyEzyQ0w8A9e0/s1600-h/mobil+pb.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 262px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPjCiTuYfUOmitx1gU3W6u_I095WVJxmOZG905Vj1OGth2yvDK0ckv-DEZ8-Xw6nMkBB4sO7k7Z5lsXpTgvtNc_u9rMb7W0osC7rfbJn-A6wT89jRy4s6cyt8gKggAPGQyyEzyQ0w8A9e0/s400/mobil+pb.jpg" alt="" id="BLOGGER_PHOTO_ID_5346525736160651538" border="0" /></a><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:85%;" >(ENGLISH VERSION BELOW)</span><span style="font-style: italic;"><br /><br /></span><div class="gmail_quote"><em>uma biblioteca móvel à escala individual construída sobre uma bicicleta.<br /><br /></em>A MOBIL circulará entre 3 espaços de Lisboa durante Junho e Julho deste ano: Jardim da Estrela, Jardim do Príncipe Real e Largo da Academia Nacional de Belas Artes)<br />A biblioteca é desenvolvida com recurso a materiais reutilizados e recicláveis, num modelo desenhado por Hugo Dunkel, designer que tem desenvolvido uma intensa pesquisa sobre as correntes de ecologia e sustentabilidade na área.<br />A biblioteca disponibilizará publicações portuguesas e internacionais focadas na área das artes visuais e áreas adjacentes (design, arquitectura, política, filosofia, etc..). Estas serão de cariz teórico e especulativo, edições de artista e outras publicações independentes. </div> <div class="gmail_quote"> <div>A selecção acompanha os assuntos em foco no ciclo estados–gerais, apresentando outras referências centrais para a pesquisa que o ciclo tem desenvolvido. O conjunto de publicações apresentado tem também como objectivo disponibilizar <wbr>publicações e edições que circulam noutros contextos, promovendo um diálogo e uma troca entre experiências e experimentações na área editorial, neste caso inserindo-as e apresentado-as no contexto nacional.<br />A biblioteca tem como missão expandir a área de intervenção do ciclo estados–gerais para lá do espaço expositivo da Arte contempo e do bairro da Estrela-Lapa; movendo a biblioteca por Lisboa, abre-se o projecto a públicos distintos, entre residentes locais, transeuntes e público especializado.<br />MOBIL procura estimular o encontro, convívio e discussão da leitura num espaço ao ar livre.<br /><br /><span style="font-weight: bold;">HORÁRIO<br /><br />4ª-feiras<br />17h–19h30 </span><span>Jardim do Príncipe Real </span><span style="font-weight: bold;"><br />–<br />5ª-feiras<br />13h–15h30 </span><span>Largo da Academia Nacional de Belas Artes</span><span style="font-weight: bold;"><br />–<br />6ª-feiras<br />17h–19h30 </span><span>Jardim do Príncipe Real</span><span style="font-weight: bold;"><br />–<br />Sábados<br />17h–19h30 </span><span>Largo do Carmo</span><span></span><span style="font-weight: bold;"><br /><br /></span><br /><span style="font-weight: bold;"></span><strong>EDITORAS</strong></div><strong></strong> <div><br /><div>· A Prior (BE)<br />· Argo Books (DE)<br />· ATLAS Projectos (PT)<br />· CHTO DELAT (RU)<br />· Culturgest Edições (PT)<br />· E-Flux (US)<br />· Gagarin (UK)<br />· JRP Ringier: Christoph Keller Editions (CH)<br />· Nieves Books (CH)<br />· Onomatopee (NL)<br />· Piktogram (PL)<br />· Printed Project (IR)<br />· Site (SE) </div> entre outras...<br /></div> <div> </div> <div><br />--------------------------------------------------------------------------------------<br /></div> <div><br />a mobile library on an individual scale, built on a bicycle.</div></div> <div> </div> <div>MOBIL will circulate in three public spaces in Lisbon between June and July of this year: Jardim da Estrela, Jardim do Príncipe Real and Largo da Academia Nacional de Belas Artes. The library was constructed by using recyclable and reused materials in a design by Hugo Dunkel, a designer who has been developing intensive research on ecological and sustainable approaches in this area.<br />Several publications will be available at the library, both Portuguese and international, focusing on visual arts and contiguous areas (design,architecture, politics, philosophy, etc.) The publications range from a more theoretical and speculative character to artists’ books and other independent publications. The selection accompanies the interests in focus during the cycle estates–general, presenting other main references of research the cycle has been developing. This cluster of publications also has the goal of bringing and presenting editions and publications that circulate in other contexts to the Portuguese one, promoting dialogue and exchange between experiences and experiments in the field of publishing.<br />As a mission, the library seeks to expand the area of intervention of the cycle beyond the exhibition space of Arte contempo and the neighbourhood of Estrela–Lapa; by moving the library throughout Lisbon we are opening up the project to a distinct audience, among them local residents, passers-by and a specialised audience.</div> <div>MOBIL aims to promote the encounter, conviviality and discussion of reading in an outdoor space. </div> <div><br /><span style="font-weight: bold;">SCHEDULE</span></div><span style="font-weight: bold;"><br />Wednesday<br />17h–19h30 </span><span>Jardim do Príncipe Real </span><span style="font-weight: bold;"><br />–<br />Thursdays<br />13h–15h30 </span><span>Largo da Academia Nacional de Belas Artes</span><span style="font-weight: bold;"><br />–<br />Fridays<br />17h–19h30 </span><span>Jardim do Príncipe Real</span><span style="font-weight: bold;"><br />–<br />Saturdays<br />17h–19h30 </span><span>Largo do Carmo</span><div><br />PUBLISHERS</div> <div>· A Prior (BE)<br />· Argo Books (DE)<br />· ATLAS Projectos (PT)<br />· CHTO DELAT (RU)<br />· Culturgest Edições (PT)<br />· E-Flux (US)<br />· Gagarin (UK)<br />· JRP Ringier: Christoph Keller Editions (CH)<br />· Nieves Books (CH)<br />· Onomatopee (NL)<br />· Piktogram (PL)<br />· Printed Project (IR)<br />· Site (SE) </div> among others...<br /><br /><br />--------------------------------------------------------------------------------------<br /><br />POSTER<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQqwcd08PD8JST6BXmco-qHPW2IPwsZ5rOXly4SLogGaaKLuOWVMNvMf26ofYsgJLYqQTAJS4ObIK4hQ_tCiTuCe1KqNptA_8U5xllunWNApLyUH8tEkBYl2dLqCPtfphwt8VoNYYDadV7/s1600-h/mobil+poster.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 282px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQqwcd08PD8JST6BXmco-qHPW2IPwsZ5rOXly4SLogGaaKLuOWVMNvMf26ofYsgJLYqQTAJS4ObIK4hQ_tCiTuCe1KqNptA_8U5xllunWNApLyUH8tEkBYl2dLqCPtfphwt8VoNYYDadV7/s400/mobil+poster.png" alt="" id="BLOGGER_PHOTO_ID_5348609400161088818" border="0" /></a><br />--------------------------------------------------------------------------------------Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-4738801448427120242009-05-25T01:57:00.000-07:002009-06-13T11:29:41.322-07:00<span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >MAIO / MAY<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-size:100%;"><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWb8WDAnXzuU0y70CX2IPJ1eMCQVsbBmE_K1lYTbfWOMwCJ3651xNEJSbUiVX107Br4vGvnq2UCHoeFsL9qsslEMApJevSIl7X6j2LPv7bTFSnzUKvQC3EOqUkLLwKl4VUu4YRw01m8rbi/s1600-h/kk+final.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWb8WDAnXzuU0y70CX2IPJ1eMCQVsbBmE_K1lYTbfWOMwCJ3651xNEJSbUiVX107Br4vGvnq2UCHoeFsL9qsslEMApJevSIl7X6j2LPv7bTFSnzUKvQC3EOqUkLLwKl4VUu4YRw01m8rbi/s200/kk+final.jpg" alt="" id="BLOGGER_PHOTO_ID_5339683446366256530" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:100%;"><span style="font-weight: bold;">28 de MAIO </span></span><span style="font-weight: bold;font-size:100%;" >— 22 H </span><span style="font-size:100%;"><br /></span><div><span style="font-weight: bold;font-size:100%;" >ARTE CONTEMPO</span><span style="font-size:100%;"><br />Inauguração da exposição KUBLA-KHAN<br /></span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" ><br />28th of MAY — 10 PM<br />ARTE CONTEMPO<br /></span></div><span style="color: rgb(102, 102, 102);font-size:100%;" >Opening of the exhibition KUBLA-KHAN</span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" ><br /></span><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold;font-size:100%;" ><br /><br /></span></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEXdJn7zOx58SXpy74JvHqvyUAaRIjoHHKQIwAmxQ_WJ5_VkePkQrVIzmeLv4fMMfQU_t2Wva19GY5l12EQKT70Ec4Bwns4v1XRoHgll-5iFT1Lr0TnyZw7RRd8oj_swZ_juhwaPqH4_j5/s1600-h/desenho2.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEXdJn7zOx58SXpy74JvHqvyUAaRIjoHHKQIwAmxQ_WJ5_VkePkQrVIzmeLv4fMMfQU_t2Wva19GY5l12EQKT70Ec4Bwns4v1XRoHgll-5iFT1Lr0TnyZw7RRd8oj_swZ_juhwaPqH4_j5/s200/desenho2.jpg" alt="" id="BLOGGER_PHOTO_ID_5339683784769669666" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />NOVA DATA!<br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);">30 de MAIO 10h – 15h </span><br /><span style="color: rgb(0, 0, 0);">JARDIM DA ESTRELA</span><br /><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il"><br /></span><span style="color: rgb(0, 0, 0); font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">Sessão de Desenho </span></span></span><span style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il"><br /></span></span></span><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">por Raquel</span><span style="color: rgb(0, 0, 0);"> </span><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">Feliciano e Francisco</span><span class="Apple-style-span" style="font-weight: bold; color: rgb(0, 0, 0);"><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0); font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"> </span></span></span></span></span></span></span><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">Pinheiro</span><br /><div><span style="font-weight: normal; color: rgb(0, 0, 0);">Limitado a 20 participantes<br /><span style="font-weight: bold;">(inscrições pelo mail: o.declive@gmail.com)</span><br /><br />Vamos desenhar no Jardim da Estrela. Vamos conviver.<br />Teremos um pique-nique, uma sesta e um exercício surrealista. Entre outros. Trabalharemos a dinâmica de acção em grupo num contexto especial — o jardim urbano é espaço público de troca e usufruto; aqui, cada indivíduo deverá saber exprimir o seu modo particular de ver, inserindo-se no todo como uma peça única de um puzzle. O cenário do jardim é propício para aguçar as percepções, abrir o corpo e a consciência ao exterior — aos outros, à cidade, ao mundo. Tudo o que será proposto poderá ser executado por qualquer pessoa, com ou sem formação de desenho. Idade: >13 anos<br /><br />material: Manta ou tolha, chapéu, farnel para almoço piquenique<br />papel (bloco pequeno ou médio), lápis/caneta/marcadores/lápis de cor (livre).<br /></span><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal;">+info: <a href="http://www.desenho-arlivre.blogspot.com/">www.desenho-arlivre.blogspot.com</a></span></span></span></span><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal;"><br />NEW DATE!<br /></span></span></span></span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);">30th of MAY 10 AM – 3 PM<br />JARDIM DA ESTRELA<br /><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">Drawing session </span></span></span></span><span style="font-weight: normal;" class="il"><br />by Raquel</span> <span style="font-weight: normal;" class="il">Feliciano and Francisco Pinheiro</span><br /><div><span style="font-weight: normal;">up to 20 participants (reservations through the e-mail: o.declive@gmail.com)<br /><br />material: blanket, hat, food for the pic-nic lunch,<br />paper (small ou medium block), pencil/pen/marker/coloured pencil.<br /><br />+info: <a href="http://www.desenho-arlivre.blogspot.com/">www.desenho-arlivre.blogspot.com</a><br /></span></div> </span></div></span></span><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >JUNHO / JUNE<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" ><br /></span></span></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTEHL5M5nC2x5IguXMcVES3fvw05H9IvJBdljLcjqLg6yah-hywwkJTurU2MoKX6oj-rnhMB3jRGzXPVEMqu8M8CO-HWHP_bZ0NzMH4ypzTrQymnTomXdAVTTAMs3Chw-UqRjPRSk1fG9r/s1600-h/wand.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTEHL5M5nC2x5IguXMcVES3fvw05H9IvJBdljLcjqLg6yah-hywwkJTurU2MoKX6oj-rnhMB3jRGzXPVEMqu8M8CO-HWHP_bZ0NzMH4ypzTrQymnTomXdAVTTAMs3Chw-UqRjPRSk1fG9r/s200/wand.jpg" alt="" id="BLOGGER_PHOTO_ID_5340519475801118962" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">3 de JUNHO - 21.30 H<br />SPORT LISBOA E LAPA<br /></span><div>CONVERSAS COM CURADORES: MIGUEL WANDSCHNEIDER<br /><br /><span style="font-size:100%;">Miguel Wandschneider</span><span style="font-size:100%;"> (<span>n. 1969) licenciou-se em Sociologia no ISCTE, em Lisboa. É programador e curador de artes visuais na Culturgest, onde comissariou várias exposições desde 2006: Roma Publications, Kees Goudzwaard, Bruno Pacheco, Ben Callaway, Walid Raad, Jean-Luc Moulène, Ricardo Jacinto, Willem Oorebeek, ou Jochen Lempert, para mencionar algumas. Antes de assumir aquelas funções na Culturgest, comissariou várias exposições, nomeadamente: ‘Ernesto de Sousa: Revolution My Body’ (Centro de Arte Moderna, Fundação Calouste Gulbenkian, Lisboa, 1998; em colaboração com Helena de Freitas); ‘Ângelo de Sousa: Sem Prata’ (Museu de Arte Contemporânea de Serralves, Porto, 2001; em colaboração com João Fernandes); e 'Noronha da Costa Revisitado (1965-1983)' (Centro Cultural de Belém, Lisboa, 2003, em colaboração com Nuno Faria). Entre 2000 e 2003, organizou e comissariou ‘SlowMotion’ (ESTGAD, Caldas da Rainha, com uma extensão na Fundação Calouste Gulbenkian, Lisboa, 2002), um projecto dedicado à utilização do filme e do vídeo pelos artistas portugueses.</span></span><br /></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"><br /></span></div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">3rd of JUNE - 9.30 PM</span> <span style="color: rgb(102, 102, 102);"><b><br />SPORT LISBOA E LAPA<o:p></o:p></b></span><span style="color: rgb(102, 102, 102);"><br />CONVERSATIONS WITH CURATORS: MIGUEL WANDSCHNEIDER<br /><br /></span><span style="border-collapse: collapse; color: rgb(102, 102, 102);"><span lang="EN-US">The cycle "Conversations with curators" proposes a presentation of a curator's work and research per session. Acknowledging the necessary temporal arch to the construction of a work or authorial research, the cycle intends to reflect areas of investment and approaches in Portuguese curatorial practices from within the perspectives of these same agents, opening a space for confrontation and dialogue where the public is invited to participate.</span></span><br /><span style="color: rgb(102, 102, 102);"><br /></span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————<br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_Chuq9h06NScJAWwCiGzThMPcG6_M1OmugiBEf7whQqkT-1BL1ZGcl2aINfHFm4s9RM9fUP9weDXt-EqiYet58JBRKvXUQsr3tIDUbEe7KdosteQTHEjHd793Y4LCvJR1rNU6zRPawm0/s1600-h/ed.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_Chuq9h06NScJAWwCiGzThMPcG6_M1OmugiBEf7whQqkT-1BL1ZGcl2aINfHFm4s9RM9fUP9weDXt-EqiYet58JBRKvXUQsr3tIDUbEe7KdosteQTHEjHd793Y4LCvJR1rNU6zRPawm0/s200/ed.jpg" alt="" id="BLOGGER_PHOTO_ID_5345323272853417106" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">18 de JUNHO - 21.30 H<br />ARTE CONTEMPO<br /></span><div>SEVERAL VIBRATIONS:<br />UM PROJECTO DE EDMUND COOK<br /><br />A encenação de processos imaginários ou acções funcionam num espaço predefinido de potência para composição de interacções e gestos entre pessoas e formas comuns alcançáveis em espaços escolhidos, para criar uma significância partilhada, onde cada unidade poderá ter uma ressonância outra que a da sorte pura da sua ocorrência ou simultaneidade.<br /><br />Isto é condensado, subsumindo-se referentes históricos e culturais específicos, numa dimensão visual em que se projectam, molde ou realidade simbólica dependente de uma eficácia abstrusa. O ponto de vista é o do antropólogo numa sociedade que lhe é desconhecida, na qual tenta quantificar o que se passa, para apenas encontrar falhas inexplicáveis na acção razoável, e em vez disso, um estado esquelético, onírico. A tensão pretendida é o estado necessário à vibração* ou oscilação, um movimento constante entre integração e diferenciação: o eco e o presente, o performativo e o inconsciente, o determinado e o acaso, o sagrado e o mundano.<br /><br />Os elementos apresentados em diferentes meios servem para mostrar os passos desta encenação em curso, tentando existir algures entre a exposição de galeria convencional e o estúdio aberto. Um espaço de discussão, testando relações ou energia numa prática; apresentando desenvolvimento de trabalho em diferentes etapas de investigação como uma unidade temporal concentrada em si mesma (durando apenas a noite presente).<br /><br />*As implicações da vibração remontam à Era de Ptolomeu onde o comportamento físico do instrumento monocórdico era usado para teorizar e demonstrar relações matemáticas manifestadas na natureza e assim a presença subjacente de harmonia.<br /><br />Os diferentes elementos apresentados:<br />fotografia de lugares encontrados;<br />desenho explorando a combinação de formas potenciais;<br />som, incluindo leitura de legendas em parataxe;<br />videos em loop de situações orquestradas.<br /><br /></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"><br /></span></div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">18th of JUNE - 9.30 PM</span> <span style="color: rgb(102, 102, 102);"><b><br />ARTE CONTEMPO<o:p></o:p></b></span><span style="color: rgb(102, 102, 102);"><br />SEVERAL VIBRATIONS:<br />A PROJECT BY EDMUND COOK<br /><br />The staging of imaginary processes or actions function in a predefined space of potency for the arrangement of interactions and gestures between people and common procurable forms in chosen spaces, to create a shared significance, where every unit can have a resonance other than its pure chance of occurrence or simultaneity.<br /><br />This is condensed, subsuming specific historical and cultural referents, into a visual to project upon, a template or symbolic reality dependent upon an abstruse efficacy. The viewpoint created is like that of an anthropologist in an unfamiliar society, trying to quantify what is taking place, only to find inexplicable gaps in reasonable agency, and instead a skeletal, oneiric state. The intended tautness is the state necessary for vibration* or oscillation, a constant movement between integration and differentiation: the echoed and the presented, the performative and the unaware, the determined and the random, the sacred and the everyday.<br /><br />The elements presented in different media serve to show the steps of this staging in motion, attempting to exist somewhere in between a conventional gallery show and an open studio. A space of discussion, testing relations, or energy in a practice; presenting the development of work in different stages of investigation as a concentrated temporal unit in itself (lasting only the evening).<br /><br />*The implications of vibration can be traced back to the age of Ptolemy, where the physical behaviour of the monochord instrument was used to theorise and demonstrate mathematical relationships occurring in nature, and thereby the underlying presence of harmony.<br /><br />The different elements presented:<br />photography of discovered sites;<br />drawing exploring the arrangement of potential forms;<br />sound, including a spoken text of paratactic captions;<br />video loops of orchestrated situations.<br /><br /><br /></span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————<br /><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-48100284272211305462009-05-23T11:15:00.001-07:002009-07-20T10:28:23.101-07:00<span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >VISTAS DE INSTALAÇÃO/ INSTALLATION VIEWS<br /></span><span style="font-size:100%;">fotografias/photographs: Bruno Lopes</span><span style="font-weight: bold;font-size:100%;" ><br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1ip8apo5EReij63YpfFYTiXbum35aTyTwxnOfwG-udirHCy3rB1Tg_JmZ1msi9lFTfUWx8K8AwZYaRt1p-eLw9mplyonQrFDAX8LEgq15gzx1KpPlYGrE0UkM-02BVRHY8qVI2EwL34w7/s1600-h/Picture+5.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 250px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1ip8apo5EReij63YpfFYTiXbum35aTyTwxnOfwG-udirHCy3rB1Tg_JmZ1msi9lFTfUWx8K8AwZYaRt1p-eLw9mplyonQrFDAX8LEgq15gzx1KpPlYGrE0UkM-02BVRHY8qVI2EwL34w7/s400/Picture+5.png" alt="" id="BLOGGER_PHOTO_ID_5349046041087720994" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLrN75W9bvS0k1tAY4kDJ93kQPbuCAqdGTItD2gK_QZz-0tu2B-2Ia00AeR5kbxDIx1XilDx7G4_KZ5xk7q4ytO08MY7jWuzZhD_7egyWobk4-Cu-iJEV9CZ2hlm24HKcNp7KV2eVuuy5v/s1600-h/Picture+10.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 354px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLrN75W9bvS0k1tAY4kDJ93kQPbuCAqdGTItD2gK_QZz-0tu2B-2Ia00AeR5kbxDIx1XilDx7G4_KZ5xk7q4ytO08MY7jWuzZhD_7egyWobk4-Cu-iJEV9CZ2hlm24HKcNp7KV2eVuuy5v/s400/Picture+10.png" alt="" id="BLOGGER_PHOTO_ID_5349046303002886594" border="0" /></a><br />ANTÓNIO BOLOTA<br />S/ título, 2009<br />madeira, metal, MDF: vista da instalação <span style="color: rgb(153, 153, 153);">| wood, metal, MDF: installation view<br /><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuoU_fAtUQE2ryzZ3CM1TNbISvZSiHK0dNkANysqB536m84txVqeXDAMIxwU1_hTG_xq4xpZpClhoOtCgj-o5CMUcZbIRm7EkH4_7hTiLiXyJPLIWaf_aEZ5iKmVr9CvytQgw8gi4JDvAD/s1600-h/Picture+9.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 299px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuoU_fAtUQE2ryzZ3CM1TNbISvZSiHK0dNkANysqB536m84txVqeXDAMIxwU1_hTG_xq4xpZpClhoOtCgj-o5CMUcZbIRm7EkH4_7hTiLiXyJPLIWaf_aEZ5iKmVr9CvytQgw8gi4JDvAD/s400/Picture+9.png" alt="" id="BLOGGER_PHOTO_ID_5349046297830555010" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjelouyGNzeABH_v8ZwDh7CFJAdN3SUOrUhQMC3YWUhYzLoPGc6N0-JDAhEiXUJFp9LX_5I3v6XmMBJBwQlHAZDYdRc6YuRtT6c4V5ioY8bKdDvUUQd0riGNJi8v_n6cAlrLr5bYFNNXi60/s1600-h/Picture+8.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjelouyGNzeABH_v8ZwDh7CFJAdN3SUOrUhQMC3YWUhYzLoPGc6N0-JDAhEiXUJFp9LX_5I3v6XmMBJBwQlHAZDYdRc6YuRtT6c4V5ioY8bKdDvUUQd0riGNJi8v_n6cAlrLr5bYFNNXi60/s400/Picture+8.png" alt="" id="BLOGGER_PHOTO_ID_5349046294004315602" border="0" /></a>RYAN FOERSTER<br /><span style="font-style: italic;">Untitled (stack of zines - Foerster 8) 2009<br />+<br />1-2-3-4 tape Recording, 2009<br /></span>impressão digital + peça de som <span style="color: rgb(153, 153, 153);">| digital print + sound piece<br /><br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGHFEZBQTE8bRU_clbOXZWvpue2ayI_lfyL_IugEMUPIwRaXtRCPQe6kUsb3r1AVOtBiYrr26lXPqYyGJM0Yp9z9ROH_PVCKvAMuF26-PE5vjWfDeUrjgtrbQ8_DKBlgA1KlTPXcDgR95m/s1600-h/Picture+7.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 299px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGHFEZBQTE8bRU_clbOXZWvpue2ayI_lfyL_IugEMUPIwRaXtRCPQe6kUsb3r1AVOtBiYrr26lXPqYyGJM0Yp9z9ROH_PVCKvAMuF26-PE5vjWfDeUrjgtrbQ8_DKBlgA1KlTPXcDgR95m/s400/Picture+7.png" alt="" id="BLOGGER_PHOTO_ID_5349046289458816898" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYCgpDrs1UnmWIY6_8VXpayHjimTWx-PXs6jb9K4t9s2Maa1w6AX_GbooDO11G01N-lc6Tg9ouLc8d3Ucge4uizVO0bSCbQRxPAtWd7oBpIQ88c9RmNvXxLtrLtFQPSkrEsBzf8Aq0Y2XL/s1600-h/Picture+6.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYCgpDrs1UnmWIY6_8VXpayHjimTWx-PXs6jb9K4t9s2Maa1w6AX_GbooDO11G01N-lc6Tg9ouLc8d3Ucge4uizVO0bSCbQRxPAtWd7oBpIQ88c9RmNvXxLtrLtFQPSkrEsBzf8Aq0Y2XL/s400/Picture+6.png" alt="" id="BLOGGER_PHOTO_ID_5349046286036784434" border="0" /></a>ANA MANSO<span style="font-weight: bold;font-size:100%;" ><br /></span><span style="font-size:100%;">S/ título, 2009</span><span style="font-weight: bold;font-size:100%;" ><br /></span><span style="font-size:100%;">óleo, pigmento e spray sobre tela, bolas de tennis; vista da instação <span style="color: rgb(153, 153, 153);">| oil, pigment and spray on canvas, tennis balls; installation view<br /><br /><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxgdGq_dqC8FcAfYk4GNuJiWQJyauUZ7iBtsuEFiMUNthSiwoFA1fbtsB-Zt_DI1FG5XVUqG8iwcAbzm3pu1k7SxRckz6PFvEwfB-mypjDKzz4izPPxRJERaQaWRjms3sw9dYcVqwVGgM-/s1600-h/Picture+4.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 299px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxgdGq_dqC8FcAfYk4GNuJiWQJyauUZ7iBtsuEFiMUNthSiwoFA1fbtsB-Zt_DI1FG5XVUqG8iwcAbzm3pu1k7SxRckz6PFvEwfB-mypjDKzz4izPPxRJERaQaWRjms3sw9dYcVqwVGgM-/s400/Picture+4.png" alt="" id="BLOGGER_PHOTO_ID_5349046034100862146" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE_d_uiWNRpB35IDFJ78F-KAJ2gYTz_J4tc7ZshtNtsyCpFRpij-YnLLl-AMTdfSP3mS1VwPKnW-Ff9BAcJwZkQocg26SwfOusNjFy0HaFa1ZUFGWAFsIZ4SEASlQbCxWCXtieCSVMbY-e/s1600-h/Picture+3.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE_d_uiWNRpB35IDFJ78F-KAJ2gYTz_J4tc7ZshtNtsyCpFRpij-YnLLl-AMTdfSP3mS1VwPKnW-Ff9BAcJwZkQocg26SwfOusNjFy0HaFa1ZUFGWAFsIZ4SEASlQbCxWCXtieCSVMbY-e/s400/Picture+3.png" alt="" id="BLOGGER_PHOTO_ID_5349046031150417842" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3K-PF2JE8H1unyrJYm1ZIdn8YjLwTcd6Yo9-dRoHPsFzELtQGjaOfHUz5Mvw6xeCNwi-yMnV3W300qn7FRb48oe9yLekBgR4rroOCZgWZlffYY9UkfUdW3eFCCLEhPRWdqIkievHk8v24/s1600-h/Picture+2.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3K-PF2JE8H1unyrJYm1ZIdn8YjLwTcd6Yo9-dRoHPsFzELtQGjaOfHUz5Mvw6xeCNwi-yMnV3W300qn7FRb48oe9yLekBgR4rroOCZgWZlffYY9UkfUdW3eFCCLEhPRWdqIkievHk8v24/s400/Picture+2.png" alt="" id="BLOGGER_PHOTO_ID_5349046026742495938" border="0" /></a>INVERNOMUTO<br /><span style="font-style: italic;">Walesland</span>, 2006<br />projecção de slides e dupla projecção vídeo <span style="color: rgb(153, 153, 153);">| slide projection and double video projection<br /><br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAaFsFljYxWvlU2kI-tRO1DYoWNN5jk33rxRjqF_1k9U9zlTaGQEsOWTOal1ErrFMYaDroKeebvRJj1B9n55VcLrKh-GgBHdojwTovoZJa8h_1B__265GKI9xxQIldL8nUPvDnJyCYjCCb/s1600-h/Picture+1.png"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAaFsFljYxWvlU2kI-tRO1DYoWNN5jk33rxRjqF_1k9U9zlTaGQEsOWTOal1ErrFMYaDroKeebvRJj1B9n55VcLrKh-GgBHdojwTovoZJa8h_1B__265GKI9xxQIldL8nUPvDnJyCYjCCb/s400/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5349046024277554514" border="0" /></a>SISTER CORITA KENT<br /><span style="font-size:100%;">posters</span><span style="font-weight: bold;font-size:100%;" ><br /><br /><br /></span><span style="font-weight: bold;font-size:100%;" ><br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >TRABALHOS/ WORKS<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbcQMNueIU77-w7QSp_rrnBNra9o-ld1m4xFa9iCZWpmdG3YQbP5YrwuXsJxM1r6ZOnzKs8xBLv2YMNN9WfBo4UTEQ7j96bqcoYJBghNuKgn7OQniNARg1yy5Sp_ahEmrtgz1POSNN-8Sj/s1600-h/whalesland_Invernomuto_1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 173px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbcQMNueIU77-w7QSp_rrnBNra9o-ld1m4xFa9iCZWpmdG3YQbP5YrwuXsJxM1r6ZOnzKs8xBLv2YMNN9WfBo4UTEQ7j96bqcoYJBghNuKgn7OQniNARg1yy5Sp_ahEmrtgz1POSNN-8Sj/s200/whalesland_Invernomuto_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5339085088731865906" border="0" /></a>INVERNOMUTO<br /><span style="font-style: italic;">Walesland</span>, 2006<br />projecção de slides e dupla projecção vídeo <span style="color: rgb(153, 153, 153);">| slide projection and double video projection</span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyPoKJauxTJtejZLyFA0CaKPeC8zqOxKBd-EUzFOmZcmaYK3vKiCe_N9CdTsRQmG91uSd4JM37f_S3Q2Vp3PbuRmzn1m_omKdKs7I4us03r1MA6Xi_EBZ1WwBpNhCYtFJ_zY_BYpm7RPdU/s1600-h/Ryan+Foerster,+Zine+%232.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 150px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyPoKJauxTJtejZLyFA0CaKPeC8zqOxKBd-EUzFOmZcmaYK3vKiCe_N9CdTsRQmG91uSd4JM37f_S3Q2Vp3PbuRmzn1m_omKdKs7I4us03r1MA6Xi_EBZ1WwBpNhCYtFJ_zY_BYpm7RPdU/s200/Ryan+Foerster,+Zine+%232.jpg" alt="" id="BLOGGER_PHOTO_ID_5339085082846641490" border="0" /></a>RYAN FOERSTER<br /><span style="font-style: italic;">Zine #2</span><br />impressão offset <span style="color: rgb(153, 153, 153);">| offset print</span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY4QdaQxNfcEoW2VHFpDui-nw2uG6evXVDisZXFASBdJRD_prcaArKxYHHGLluzE-fmUur9hX1eSatmVD5OU6ZermgY5t7EL4BF9Uycyf3S3DnECA7xJOsGeT9Y0d1VxOUVSnhyNXD0Aya/s1600-h/Ant%E2%88%9A%E2%89%A5nio+Bolota,+s+t%E2%88%9A%E2%89%A0tulo,+2008.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 143px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY4QdaQxNfcEoW2VHFpDui-nw2uG6evXVDisZXFASBdJRD_prcaArKxYHHGLluzE-fmUur9hX1eSatmVD5OU6ZermgY5t7EL4BF9Uycyf3S3DnECA7xJOsGeT9Y0d1VxOUVSnhyNXD0Aya/s200/Ant%E2%88%9A%E2%89%A5nio+Bolota,+s+t%E2%88%9A%E2%89%A0tulo,+2008.jpg" alt="" id="BLOGGER_PHOTO_ID_5339085078134049474" border="0" /></a>ANTÓNIO BOLOTA<br />S/ título, 2008<br />Instalação <span style="color: rgb(153, 153, 153);">| Installation</span><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1FjMEWQ9XgwuGkvg1jAMggAaTlXz2lhIC6Zh8UKoGqBbr1MZthbHMgZFQ54SKA76HIgtsTI1OeiUMqdA9Sb-tRwLi-W4CG_C7kSp4kR5Z0rVO_T8iH1QQ6C55tbA_sayfeZ6Mkv1rlN-b/s1600-h/Ana+Manso,+s+t%E2%88%9A%E2%89%A0tulo,+2008.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 145px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1FjMEWQ9XgwuGkvg1jAMggAaTlXz2lhIC6Zh8UKoGqBbr1MZthbHMgZFQ54SKA76HIgtsTI1OeiUMqdA9Sb-tRwLi-W4CG_C7kSp4kR5Z0rVO_T8iH1QQ6C55tbA_sayfeZ6Mkv1rlN-b/s200/Ana+Manso,+s+t%E2%88%9A%E2%89%A0tulo,+2008.jpg" alt="" id="BLOGGER_PHOTO_ID_5339085079433140818" border="0" /></a>ANA MANSO<span style="font-weight: bold;font-size:100%;" ><br /></span><span style="font-size:100%;">S/ título, 2008</span><span style="font-weight: bold;font-size:100%;" ><br /></span><span style="font-size:100%;">óleo, pigmento e spray sobre papel <span style="color: rgb(153, 153, 153);">| oil, pigment and spray on paper</span></span><span style="font-weight: bold;font-size:100%;" ><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-53510239834660177422009-05-09T14:12:00.001-07:002013-05-08T02:44:33.097-07:00CATÁLOGO | CATALOGUE<div>
<b>EM PDF / AS PDF</b><br />
<b><br /></b></div>
<div>
<span class="Apple-style-span" style="border-collapse: collapse; font-family: Arial;">Versão impressa disponível Verão 2013</span><br />
<span class="Apple-style-span" style="border-collapse: collapse; font-family: Arial;">Links para download abaixo</span><br />
<span class="Apple-style-span" style="font-family: Arial;"><span class="Apple-style-span" style="border-collapse: collapse;"><br /></span></span>
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial;">Printed version available Summer 2013</span><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial;">Download links below</span><br />
<span class="Apple-style-span" style="border-collapse: collapse; font-family: Arial; font-size: 12px;"><br /></span>
<span class="Apple-style-span" style="border-collapse: collapse; font-family: Arial; font-size: 12px;">________________________________</span><br />
<span class="Apple-style-span" style="border-collapse: collapse; font-family: Arial; font-size: 12px;"><br /></span></div>
<div>
1/4.<br />
REPÚBLICA OU O TEATRO DO POVO<br />
<span class="Apple-style-span" style="color: #666666;">REPUBLIC OR THE PEOPLE'S THEATRE</span><br />
<br />
<a href="http://www.atlasprojectos.net/data/EG_01.pdf" target="_blank">download PDF </a><br />
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial; font-size: 12px;"><br /></span>
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial; font-size: 12px;">________________________________</span><br />
<span class="Apple-style-span" style="color: #666666;"><br /></span>
<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
2/4.</div>
HISTÓRIA DO FUTURO<br />
<span class="Apple-style-span" style="color: #666666;">HISTORY OF THE FUTURE</span><br />
<span class="Apple-style-span" style="color: #666666;"><br /></span>
<span class="Apple-style-span" style="color: #666666;"><a href="http://www.atlasprojectos.net/data/EG_02.pdf" target="_blank">download PDF</a></span></div>
<div>
<div>
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial; font-size: 12px;"><br /></span>
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial; font-size: 12px;">________________________________</span><br />
<br />
3/4.<br />
KUBLA KHAN<br />
<br />
<a href="http://www.atlasprojectos.net/data/EG_03.pdf" target="_blank">download PDF</a></div>
<div>
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial; font-size: 12px;"><br /></span>
<span class="Apple-style-span" style="border-collapse: collapse; color: #666666; font-family: Arial; font-size: 12px;">________________________________</span></div>
<div>
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br />
4/4.</div>
</div>
<div>
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
EXPOSIÇÃO COMO ESCOLA<br />
<span class="Apple-style-span" style="color: #666666;">EXHIBITION AS SCHOOL</span><br />
<span class="Apple-style-span" style="color: #666666;"><br /></span>
<span class="Apple-style-span" style="color: #666666;"><a href="http://www.atlasprojectos.net/data/EG_04.pdf" target="_blank">download PDF</a></span></div>
</div>
</div>
</div>
</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-10744293111779211572009-04-27T02:54:00.001-07:002009-07-20T10:29:05.543-07:00<span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >VISTAS DE INSTALAÇÃO/ INSTALLATION VIEWS<br /></span><span style="font-size:100%;">fotografias/photographs: Bruno Lopes</span><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————<br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZb7JftoBF2kFNn-FJ2XHsUiEUZZSjBZcGZcrISi4DHf6C3ASbzGyGrzb0eKPg7OSsPDHPF1JJZH-SOffzmd2Nh_M9Jl70GeBc5CXPaOa_Zo8tDDx9AGuRTWaWMcdTBZJ-objckLxSmUx/s1600-h/Martin+Beck+1+72dpis.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZb7JftoBF2kFNn-FJ2XHsUiEUZZSjBZcGZcrISi4DHf6C3ASbzGyGrzb0eKPg7OSsPDHPF1JJZH-SOffzmd2Nh_M9Jl70GeBc5CXPaOa_Zo8tDDx9AGuRTWaWMcdTBZJ-objckLxSmUx/s400/Martin+Beck+1+72dpis.jpg" alt="" id="BLOGGER_PHOTO_ID_5344975183670693730" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc8B5-O7HFevDYpA3n_-VPoeDv8AMohYWc9hKbwDngI9fMZ7pZO17CdfUe3RKV2y-dEaJ6WWZs-PfrBhkLflnbbNtX13LcKvEuIbeRsGZvv-tSJxjW1D_Om3apBgNtNUqd0vdGQniD2kJU/s1600-h/Martin+Beck+2+72+dpis.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc8B5-O7HFevDYpA3n_-VPoeDv8AMohYWc9hKbwDngI9fMZ7pZO17CdfUe3RKV2y-dEaJ6WWZs-PfrBhkLflnbbNtX13LcKvEuIbeRsGZvv-tSJxjW1D_Om3apBgNtNUqd0vdGQniD2kJU/s400/Martin+Beck+2+72+dpis.jpg" alt="" id="BLOGGER_PHOTO_ID_5344975178814513250" border="0" /></a>MARTIN BECK<br />The Environmental Witch-Hunt<br />2008, 10’01’’, DvD PAL, cor, som <span style="color: rgb(153, 153, 153);">| 10’01’’, DvD PAL, colour, sound</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjw5fHgtmsJy9wXwaF3dd_mBRGFFy7QWjHvW2Q00mOxZsV_EpawdsxPlnOr1Qy4VD4amRDxJRxMB0ge2YxaPikE3Ap1kBI3DcB3mGnp9kHWviitpqd5Xt-116ExWrmQTw-7cTepLKtrn5H/s1600-h/desenho_geral1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjw5fHgtmsJy9wXwaF3dd_mBRGFFy7QWjHvW2Q00mOxZsV_EpawdsxPlnOr1Qy4VD4amRDxJRxMB0ge2YxaPikE3Ap1kBI3DcB3mGnp9kHWviitpqd5Xt-116ExWrmQTw-7cTepLKtrn5H/s400/desenho_geral1.jpg" alt="" id="BLOGGER_PHOTO_ID_5353411619034622514" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8hzz9zAo_RJPSdJcCjDRhXiWO48eZX2iTOKO4Jm_BCX20U2ukL0zXrCP3LayZe70dNYQxHR1I4klfPgYV7Sy1FzeL_uFydYBY9j64-DbBdIwE4DuNjnY2JrnfjXJ92kTu2sLRTWnnyp9o/s1600-h/desenho_geral3.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 297px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8hzz9zAo_RJPSdJcCjDRhXiWO48eZX2iTOKO4Jm_BCX20U2ukL0zXrCP3LayZe70dNYQxHR1I4klfPgYV7Sy1FzeL_uFydYBY9j64-DbBdIwE4DuNjnY2JrnfjXJ92kTu2sLRTWnnyp9o/s400/desenho_geral3.jpg" alt="" id="BLOGGER_PHOTO_ID_5358077296274878514" border="0" /></a>JOANA ESCOVAL<br />Olea europaea, var. europaea (fase de adaptação)<br />2009, esferográfica, ecoline e lápis s/ papel de bambu, papel de arroz, fio de linho; vista da instalação <span style="color: rgb(153, 153, 153);">| ballpoint pen, ecoline and pencil on bamboo paper, rice paper, linen thread, </span><span style="color: rgb(153, 153, 153);">installation view</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA6VQDp0fb0EoX2CB18mIcP5_QuKEXV1ze-lPfMMl5-jZPBDRQrzSsYu1Ioo0WqV4TZaqQSS0oP6BSzrQ_yx3iujX7V19XYRvM7rsioePRZsQMUYZhJuKADzbjI0_IIPEBBrg18vE7XWbo/s1600-h/marcellvs+L+1+72.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA6VQDp0fb0EoX2CB18mIcP5_QuKEXV1ze-lPfMMl5-jZPBDRQrzSsYu1Ioo0WqV4TZaqQSS0oP6BSzrQ_yx3iujX7V19XYRvM7rsioePRZsQMUYZhJuKADzbjI0_IIPEBBrg18vE7XWbo/s400/marcellvs+L+1+72.jpg" alt="" id="BLOGGER_PHOTO_ID_5344974036726262450" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhznkqD3e0eUN2Dnbz3HiTOAbv4qJDkhkSoBVoICG5fms5eucCwUJEk3lFwwNnB81PkUs7uFzXBhamLOUafliE0YHdYdeUoTxRcbwRS364o5EP-MsvvvvYp55kRizUCdcv9hYG5C02uv21o/s1600-h/Marcellvs+L+5+72.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhznkqD3e0eUN2Dnbz3HiTOAbv4qJDkhkSoBVoICG5fms5eucCwUJEk3lFwwNnB81PkUs7uFzXBhamLOUafliE0YHdYdeUoTxRcbwRS364o5EP-MsvvvvYp55kRizUCdcv9hYG5C02uv21o/s400/Marcellvs+L+5+72.jpg" alt="" id="BLOGGER_PHOTO_ID_5344974031861596242" border="0" /></a>MARCELLVS L.<br />VideoRizoma (# 0667, #1716, #0778, # 3195)<br />desde 2002, 9’25’’, Dv PAL, cor, som <span style="color: rgb(153, 153, 153);">| 9’25’’, Dv PAL, colour, sound</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0cPnAWkN4oE6yFews2kvbZN-guWfJAxd1KPH7ZRNwWupjUq_ASkOgjME_DFjOg-5JEhAJkvaiIDvTxBGhmZoJ9OHmWjPDOm8pX_VgcblZPKZvIXn9GpANEV5Yhg6PnS-wipzVIYM4wvBR/s1600-h/Nuno+da+Luz+3+72+dpi.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0cPnAWkN4oE6yFews2kvbZN-guWfJAxd1KPH7ZRNwWupjUq_ASkOgjME_DFjOg-5JEhAJkvaiIDvTxBGhmZoJ9OHmWjPDOm8pX_VgcblZPKZvIXn9GpANEV5Yhg6PnS-wipzVIYM4wvBR/s400/Nuno+da+Luz+3+72+dpi.jpg" alt="" id="BLOGGER_PHOTO_ID_5353294792318698802" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IqWsFHYOS_mIxtDZ3yk-eNHaadNWC7UvTVYmhKvJH6CY_RYCfastdH5E_DE6aOElBC1RlAZm2VyqP6PS2vDYpa2VbOxOjFoshGECZulrsuEVqkxw_ztXCdTetuwbxMe6dfoTTLmnKH0K/s1600-h/Nuno+da+Luz+1_72+dpi.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IqWsFHYOS_mIxtDZ3yk-eNHaadNWC7UvTVYmhKvJH6CY_RYCfastdH5E_DE6aOElBC1RlAZm2VyqP6PS2vDYpa2VbOxOjFoshGECZulrsuEVqkxw_ztXCdTetuwbxMe6dfoTTLmnKH0K/s400/Nuno+da+Luz+1_72+dpi.jpg" alt="" id="BLOGGER_PHOTO_ID_5353295355510811586" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0P0KPqDj8aFfRZY63g2h5IurobdaL3ANjX15iGe6dTxNuHRlS65wueOq12ajIv5au5-hDVALYfz4kEKRaL7U1BlXr5d4hrbOOn6I8Ir0FYVXqooChQC_91xXfLaqIW7UhyFE6wrHsMlxA/s1600-h/Nuno+da+Luz+pormenor_luz+72.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0P0KPqDj8aFfRZY63g2h5IurobdaL3ANjX15iGe6dTxNuHRlS65wueOq12ajIv5au5-hDVALYfz4kEKRaL7U1BlXr5d4hrbOOn6I8Ir0FYVXqooChQC_91xXfLaqIW7UhyFE6wrHsMlxA/s400/Nuno+da+Luz+pormenor_luz+72.jpg" alt="" id="BLOGGER_PHOTO_ID_5353295553766466146" border="0" /></a>NUNO DA LUZ<br /><span>Zetesis #1<br />2009, space blanket, estacas, cabos, altifalantes exciter, cabo de altifalante, leitor de CD, amplificador, 9’11’’, 300 x 140 x 180 cm </span><span style="color: rgb(153, 153, 153);">| space blanket, poles, cables, exciter loudspeakers, loudspeaker cable, CD player, amplifier, 9’11’’, 300 x 140 x 180 cm</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrXOZCVoIoU2P92s7kyrH_OE5fnIqjYFwxrSmSXpg6i7Yu2rev8ps8NB_5ZgWiE6_fYeZ_eKwZHRAuU7zFv_eyogjwyG0YOUlKCFLXSE97jcbdfZxcsSzlER_Vw8evtA0rLQ0271MQhyphenhyphencV/s1600-h/Eli+Noeys+com+tv.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 298px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrXOZCVoIoU2P92s7kyrH_OE5fnIqjYFwxrSmSXpg6i7Yu2rev8ps8NB_5ZgWiE6_fYeZ_eKwZHRAuU7zFv_eyogjwyG0YOUlKCFLXSE97jcbdfZxcsSzlER_Vw8evtA0rLQ0271MQhyphenhyphencV/s400/Eli+Noeys+com+tv.jpg" alt="" id="BLOGGER_PHOTO_ID_5358079212205355602" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzqtnvGtBKjfsJvEt_5KCJkL2FvucXWqAEUqmMfyNfcJ65dT2LTTCK2J3fseG9Yk_R2HvVDUHPUdeoAG9w8aWV-ndzwfV7GlnOswV1s1bERliSYFeZHCN7cIXAjtsHOtMHDagUAv9c3_nz/s1600-h/IMG_1314_72.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 295px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzqtnvGtBKjfsJvEt_5KCJkL2FvucXWqAEUqmMfyNfcJ65dT2LTTCK2J3fseG9Yk_R2HvVDUHPUdeoAG9w8aWV-ndzwfV7GlnOswV1s1bERliSYFeZHCN7cIXAjtsHOtMHDagUAv9c3_nz/s400/IMG_1314_72.jpg" alt="" id="BLOGGER_PHOTO_ID_5358082029468296338" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUIC4nAghMDPWc8k-ECx7uwCk0TuQgm5jy38HGEa2-79Kve1xIyCFJW7s7KKwznJOoNJjrQQUfQVcCsT3X1aHUFbqKLKhJFJW-lh_P9HrrqYRbqOVUfEBZBBALnWLNF-4IG4rouFkW0o00/s1600-h/IMG_1320_72.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 295px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUIC4nAghMDPWc8k-ECx7uwCk0TuQgm5jy38HGEa2-79Kve1xIyCFJW7s7KKwznJOoNJjrQQUfQVcCsT3X1aHUFbqKLKhJFJW-lh_P9HrrqYRbqOVUfEBZBBALnWLNF-4IG4rouFkW0o00/s400/IMG_1320_72.jpg" alt="" id="BLOGGER_PHOTO_ID_5358084329122985426" border="0" /></a>ELI NOYES<br />Aspen 70<br />1970, 23’03’’, DVD PAL, cor, som <span style="color: rgb(153, 153, 153);">| 23’03’’, DVD PAL, colour, sound</span><span style="color: rgb(153, 153, 153);"><br /></span><span style="font-weight: bold;font-size:100%;" ><br /><br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >TRABALHOS/ WORKS<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifu2nsKgRcyO5Xj5zwqUsCyTXBJAtwRICMdEcT-8vWGpYraswQXly7FP51BOIJuIzQaYGeRg4GL5Z7tIM-h9OIbiYubPA_cugjCFBtTNA_MvKUSGkCQ1no3z2FpuIMrfkAlQkB5hgm9J3X/s1600-h/Martin+Beck_the+Environmental+Witch-Hunt.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 112px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifu2nsKgRcyO5Xj5zwqUsCyTXBJAtwRICMdEcT-8vWGpYraswQXly7FP51BOIJuIzQaYGeRg4GL5Z7tIM-h9OIbiYubPA_cugjCFBtTNA_MvKUSGkCQ1no3z2FpuIMrfkAlQkB5hgm9J3X/s200/Martin+Beck_the+Environmental+Witch-Hunt.jpg" alt="" id="BLOGGER_PHOTO_ID_5329307913768148450" border="0" /></a>Martin Beck<br /><span style="font-style: italic;">Environmental Witch-Hunt</span><br />vídeo HD <span style="color: rgb(153, 153, 153);">| HD video</span><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzd81OocGuLLH-dv0v-9iAjfHadvi6XVKvydP8qJX3p2TY275FmsMA1IWLIwsAB9FynReMZ-Rn-A4ETWATHu0HhH1ossV17p6OS73OatVdfLlhkM8owKq9eAU6tgsVaayaqmRklbgOZeYr/s1600-h/jardimbotanico1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 148px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzd81OocGuLLH-dv0v-9iAjfHadvi6XVKvydP8qJX3p2TY275FmsMA1IWLIwsAB9FynReMZ-Rn-A4ETWATHu0HhH1ossV17p6OS73OatVdfLlhkM8owKq9eAU6tgsVaayaqmRklbgOZeYr/s200/jardimbotanico1.jpg" alt="" id="BLOGGER_PHOTO_ID_5358086818238344178" border="0" /></a>Joana Escoval<br /><span style="font-style: italic;">Olea Europaea var europaea</span><br />Desenho <span style="color: rgb(102, 102, 102);">| Drawing<br /><br /><br /><br /><br /><br /></span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxc5k3EbPTKWWfAMTNEsVboq4tfYZSUpafHCO3QwDxwmitwQFI9nOCHF42Gp_Bf0xXs2wT0zGJJ1KSUiUD_l2cg-o8hJqQy2pBCplG4B-q5mfXyc2bVMaqHpTFzzBmedeKEMOhJ9kvkD4r/s1600-h/Marcellvs+L.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 154px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxc5k3EbPTKWWfAMTNEsVboq4tfYZSUpafHCO3QwDxwmitwQFI9nOCHF42Gp_Bf0xXs2wT0zGJJ1KSUiUD_l2cg-o8hJqQy2pBCplG4B-q5mfXyc2bVMaqHpTFzzBmedeKEMOhJ9kvkD4r/s200/Marcellvs+L.jpg" alt="" id="BLOGGER_PHOTO_ID_5329307916467437666" border="0" /></a>Marcellvs L.<br /><span style="font-style: italic;">VideoRizoma</span><br />vídeo DV <span style="color: rgb(153, 153, 153);">| DV video</span><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh9i59zNHkjuybdPfD4M_Ub5s-imJW1xSyLXWdlRXkm95ck0LlofdOSP9ULiDcAmStPLab_-l0HYbaiBIv0v9dirLQ56_a7NrBc0A46menjg5DTXJKmRAiaq1OD7Z1MnBe3tRpSpRFJiGd/s1600-h/Nuno+da+Luz_Zetesis.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 185px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh9i59zNHkjuybdPfD4M_Ub5s-imJW1xSyLXWdlRXkm95ck0LlofdOSP9ULiDcAmStPLab_-l0HYbaiBIv0v9dirLQ56_a7NrBc0A46menjg5DTXJKmRAiaq1OD7Z1MnBe3tRpSpRFJiGd/s200/Nuno+da+Luz_Zetesis.jpg" alt="" id="BLOGGER_PHOTO_ID_5329307921262511986" border="0" /></a>Nuno da Luz<br /><span style="font-style: italic;">Zetesis</span><br />Instalação, som <span style="color: rgb(102, 102, 102);">| Installation</span><span style="color: rgb(153, 153, 153);">, sound</span><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnWptg-9rTeiatQ7W1wPlzpiI7RRSJgQrXUmPKKsGnpZMtE2hBbmSaTgDTYyGEfWV6YsuNa-fyhHIOsjW4RCRC4gYuMtDyU6ZV6vL2RSSI0NT5jgVo1I36weXyijixbWIVCv1D5rRnl0dV/s1600-h/Eli+Noyes_Aspen70+still.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnWptg-9rTeiatQ7W1wPlzpiI7RRSJgQrXUmPKKsGnpZMtE2hBbmSaTgDTYyGEfWV6YsuNa-fyhHIOsjW4RCRC4gYuMtDyU6ZV6vL2RSSI0NT5jgVo1I36weXyijixbWIVCv1D5rRnl0dV/s200/Eli+Noyes_Aspen70+still.jpg" alt="" id="BLOGGER_PHOTO_ID_5329307927477911730" border="0" /></a>Eli Noyes<br /><span style="font-style: italic;">Aspen 70</span><br />Video documentário <span style="color: rgb(102, 102, 102);">| documentary</span><br /><br /><br /><br /><br /><br /><span style="color: rgb(102, 102, 102);"></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-9606884661060547782009-04-23T07:33:00.000-07:002009-04-27T06:54:54.016-07:00<span style="color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(51, 51, 51);">BIOS</span><br />(ENGLISH VERSION BELOW)</span><br /><br /><span style="font-weight: bold;">MARTIN BECK (AT 1963)<br /></span><span>Exposições individuais: nothing better than a touch of ecology and catastrophe to unite the social masses, Gasworks, Londres (GB), 2008; the details are not the details, orchard 47, Nova Iorque (US) 2007; Martin Beck, Grazer Kunstverein (AT), 2003; Participou em várias exposições colectivas incluíndo idealismusstudio, Grazer Kunstverein (AT), the Greenroom: reconsidering the Documentary and Contemporary art, Hessel Museum of art (US), Data recovery, GaMeC (IT), on and off the grid, Hessel Museum of art (US), 2008; Arqueologias del Futuro, Sala Rekalde (SP) 2007; Julie Ault - Martin Beck, Wiener Secession (AT), Why Pictures Now Museum Moderner Kunst Stiftung Ludwig, MUMOK (AT), When Artists Say We, artists space (US) 2006; entre outras.<br /></span><br /><span style="font-weight: bold;">JOANA ESCOVAL (PT 1982)<br /></span><span>Exposição individual: um projecto a sete dias, Teatro da Tindade - Espaço Round the Corner, Lisboa (PT), 2009. Exposições colectivas seleccionadas: Eurásia, CMAG, Lisboa (PT), 2008; Antes que a Produção Cesse, Espaço Avenida, Lisboa (PT), 2007; O Pavilhão de Augusta Narval, Rua do Alecrim 28b, Lisboa (PT), 2006. Residência artística colectiva Ambulatório, Eira33, Lisboa (PT) 2007. Participação com projecto inédito na publicação ATLAS PROJECTO DE DESENHO, editada por Atlas Projectos, 2008.</span><span style="font-weight: bold;"><br /></span><br /><span style="font-weight: bold;">MARCELLVS L. (BR 1980)<br /></span><span>Artista radicado em Berlim, tem exposto regularmente a nível internacional desde meados de 2000. Entre outras destacam-se as exposições ‘52°30'50.13" N 13°22'42.05’ E, Individual na galeria carlier | gebauer, Berlim 2008; 16ª Biennale de Sydney, 2008; ‘Vertrautes Terrain’, ZKM Center for Art and Media, Karlsruhe 2008; 9ª Biennale de Lyon, 2007/2008; ‘Panorama da Arte Brasileira’, MAM, São Paulo 2007; Accidents’, Muzeul National de Arta Contemporana, Bucareste 2007; Bienal Internacional de São Paulo 2006; ‘Nam June Paik Award’, Museum of Applied Art, Colonia 2006; ‘Cine y casi cine’, Museo Nacional Centro de Arte Reina Sofía, Madrid 2005; ‘The Artists Cinema’, Frieze Art Fair, Regent’s Park, Londres 2005. Foi nomeado para o prémio ars viva 07/08. </span><br /><div><br /></div><div><span style="font-weight: bold;"><div><span style="font-weight: bold;">NUNO DA LUZ (PT 1984)<br /></span><span style="font-weight: normal;">Desde 2006, editor da ATLAS PROJECTOS, em parceria com André Romão e Gonçalo Sena, <a href="http://www.atlasprojectos.net/">www.atlasprojectos.net</a>. Exposições colectivas seleccionadas: Eurásia, CMAG, Lisboa (PT), 2008; Antes que a Produção Cesse, Espaço Avenida, Lisboa (PT), 2007; Depois do Dilúvio, Antigo Mercado, Ourique (PT), 2007; PARA, Piazza Carlo Felice, Turim (IT), 2006; e O Pavilhão de Augusta Narval, Rua do Alecrim 28b, Lisboa (PT), 2006. Actualmente colabora com a editora raster-noton . archiv für ton und nichtton.</span><span style="font-weight: bold;"><br /></span><br /></div><div><span style="font-weight: bold;">ELI NOYES (US 1942)</span><br /><span style="font-weight: normal;">Estudou em Harvard entre 1960 e 64 e o seu trabalho inclui projectos televisivos premiados e filmes para crianças, anúncios televisivos e genéricos de filmes. Nomeado para um Óscar pelo seu filme de animação ‘Clay’, outros trabalhos incluem projectos para Sesame Street, HBO, Scholastic, Nickelodeon, MTV, Pixar, Disney e Oxygen Media. Foi co-autor da serie infantil Eureekas Castle, e realizou dois segmentos da Liquid Television para a MTV.<br /><br /></span>__________________________________________________<br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">MARTIN BECK (AT 1963)<br /></span><span style="font-weight: normal; color: rgb(102, 102, 102);">Solo exhibitions: nothing better than a touch of ecology and catastrophe to unite the social masses, Gasworks, London (UK), 2008; the details are not the details, orchard 47, New York (US) 2007; Martin Beck, Grazer Kunstverein (AT), 2003; Selected group shows: idealismusstudio, Grazer Kunstverein (AT), the Greenroom: reconsidering the Documentary and Contemporary art, Hessel Museum of art (US), Data recovery, GaMeC (IT), on and off the grid, Hessel Museum of art (US), 2008; Arqueologias del Futuro, Sala Rekald (SP) 2007; Julie Ault - Martin Beck, Wiener Secession (AT), Why Pictures Now Museum Moderner Kunst Stiftung Ludwig, MUMOK (AT), When Artists Say We, artists space (US) 2006, among others.</span><span style="font-weight: bold; color: rgb(102, 102, 102);"><br /></span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">JOANA ESCOVAL (PT 1982)<br /></span><span style="font-weight: normal; color: rgb(102, 102, 102);">Solo exhibition um projecto a sete dias, Round the Corner, Lisbon (PT), 2009. Selected group shows: Eurásia, CMAG, Lisbon (PT), 2008; Antes que a Produção Cesse, Espaço Avenida, Lisbon (PT), 2007; O Pavilhão de Augusta Narval, Rua do Alecrim 28b, Lisbon (PT), 2006; aforest design: Auction, Fabrica Features, Lisbon (PT), 2004. Colective artistic residency Ambulatório, Eira33, Lisbon (PT) 2007. Participation in ATLAS PROJECTO DE DESENHO, published by Atlas Projectos, 2008.</span><span style="font-weight: bold; color: rgb(102, 102, 102);"><br /></span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">MARCELLVS L. (BR 1980)<br /></span><span style="font-weight: normal; color: rgb(102, 102, 102);">Berlin based artist, has exhibited internationally since the mid 00's. Among other exhibitions:‘52°30'50.13" N 13°22'42.05’ E, solo show at carlier | gebauer, Berlim 2008; 16th Biennale of Sydney, 2008; ‘Vertrautes Terrain’, ZKM Center for Art and Media, Karlsruhe 2008; 9th Biennale de Lyon, 2007/2008; ‘Panorama da Arte Brasileira’, MAM, São Paulo 2007; ‘Accidents’, Muzeul National de Arta Contemporana, Bucharest 2007; Bienal Internacional de São Paulo 2006; ‘Nam June Paik Award’, Museum of Applied Art, Cologne 2006; ‘Cine y casi cine’, Museo Nacional Centro de Arte Reina Sofía, Madrid 2005 and ‘The Artists Cinema’, Frieze Art Fair, Regent’s Park, London 2005. Won the Ars Viva prize in 07/08. </span><br /><div style="color: rgb(102, 102, 102);"><br /></div><span style="font-weight: bold;"><div style="color: rgb(102, 102, 102);"><span style="font-weight: bold;">NUNO DA LUZ (PT 1984)</span><span class="Apple-style-span" style="font-weight: normal;"><br /></span><span style="font-weight: normal;">Since 2006, Publisher of ATLAS PROJECTOS, in partnership with André</span><span style="font-weight: normal;"> Romão and Gonçalo Sena, <a href="http://www.atlasprojectos.net/">www.atlasprojectos.net</a>. Selected group shows: Eurásia, CMAG, Lisbon</span><span style="font-weight: normal;"> (PT), 2008; Antes que a Produção Cesse, Espaço Avenida, Lisbon (PT), 2007; Depois do Dilúvio,</span><span style="font-weight: normal;"> Antigo Mercado, Ourique (PT), 2007; PARA, Piazza Carlo Felice, Torino (IT), 2006; and O Pavilhão de</span><span style="font-weight: normal;"> Augusta Narval, Rua do Alecrim 28b, Lisbon (PT), 2006. Currently collaborates with the label rasternoton</span><span style="font-weight: normal;">. archiv für ton und nichtton.</span><br /><br /></div><div><span style="font-weight: bold; color: rgb(102, 102, 102);">ELI NOYES (US 1942)</span><span style="color: rgb(102, 102, 102);"> </span><br /><span style="font-weight: normal;"><span style="color: rgb(102, 102, 102);">Studied at Harvard between 1960 and 1964, his work includes Award winning projects for television and films for children, commercials and title sequences, and spirited experimental films. Nominated for an Academy Award for his animated film, Clay, Eli’s work also includes projects for Sesame Street, HBO, Scholastic, Nickelodeon, MTV, Pixar, Disney and Oxygen Media. He was co-creator of the Nickelodeon children’s television series, Eureekas Castle, and directed two segments on MTV’s television series, Liquid Television.</span><br /></span></div></span></div></span></div><span style="color: rgb(102, 102, 102);"></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-10479487138093289812009-04-21T04:28:00.000-07:002009-05-14T04:26:51.303-07:00<span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >—————————</span><span style="font-weight: bold;font-size:100%;" >——————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >MAIO / MAY<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-size:100%;"><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeEyUvUeLHCqo9uVNn4a69uX-uSx98HzsVLhe7t6f1cR4g1ocrvSd3e-ecNSC21130CiZQ8gdGjWR1vrRWTlCY_5n3tixPQT4gc2trh99qIFmnPPL9N5Y8o8aP2_a4fjpt7CgPwFH8XNiu/s1600-h/futuro.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 199px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeEyUvUeLHCqo9uVNn4a69uX-uSx98HzsVLhe7t6f1cR4g1ocrvSd3e-ecNSC21130CiZQ8gdGjWR1vrRWTlCY_5n3tixPQT4gc2trh99qIFmnPPL9N5Y8o8aP2_a4fjpt7CgPwFH8XNiu/s200/futuro.jpg" alt="" id="BLOGGER_PHOTO_ID_5328408921350336626" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:100%;"><span style="font-weight: bold;">6 de MAIO </span></span><span style="font-weight: bold;font-size:100%;" >— 22 H </span><span style="font-size:100%;"><br /></span><div><span style="font-weight: bold;font-size:100%;" >ARTE CONTEMPO</span><span style="font-size:100%;"><br />Inauguração da exposição História do Futuro<br /></span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" ><br />6th of MAY — 10 PM<br />ARTE CONTEMPO<br /></span></div><span style="color: rgb(102, 102, 102);font-size:100%;" >Opening of the exhibition History of the Future<br /></span><span style="font-weight: bold;font-size:100%;" ><br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————<br /></span><div class="gmail_quote"><span style="font-size:100%;"><span style="font-weight: bold;"><br /></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA2aXxKs3-T8-e5gF9JICWBYLHlWQvtZAwJD9WbwngyHBdUgBE9aWIXkTeWglbfWBHBmYohjN3xZsYBZYth9vf3mye6-AHeUsh3KPQTx5FEL93l_T6hpfj5CuHISDx6bpOSwgjvfCYzRCM/s1600-h/cat.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA2aXxKs3-T8-e5gF9JICWBYLHlWQvtZAwJD9WbwngyHBdUgBE9aWIXkTeWglbfWBHBmYohjN3xZsYBZYth9vf3mye6-AHeUsh3KPQTx5FEL93l_T6hpfj5CuHISDx6bpOSwgjvfCYzRCM/s200/cat.jpg" alt="" id="BLOGGER_PHOTO_ID_5332407258595833202" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:100%;"><span style="font-weight: bold;">6</span><span style="font-weight: bold;"> de MAIO </span></span><span style="font-weight: bold;font-size:100%;" >— 22 H</span><span style="font-size:100%;"><br /></span> <div><span style="font-weight: bold;font-size:100%;" >ARTE CONTEMPO</span></div><span style="font-size:100%;">Lançamento do catálogo estados–gerais </span></div> <blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> </blockquote><div><span style="font-size:100%;">1º caderno - República ou o Teatro do Povo*<br /></span></div> <span style="font-size:100%;"><br />*Este catálogo está a ser construído no tempo. </span><span style="font-size:100%;">Cada caderno,<br />um para cada momento expositivo e respectivos eventos paralelos,<br />vai crescendo à medida das suas próprias necessidades e espaço<br />de ideias. Pode ser adquirido num modo print-on-demand, tirando<br />partido de deter os meios de reprodução e divulgação na nossa esfera<br />e mantendo todos os custos e meios de produção a um mínimo.</span><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" >6th of MAY — 10 PM<br />ARTE CONTEMPO<br /></span><span style="color: rgb(102, 102, 102);font-size:100%;" >Estates—General Catalogue Launch</span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" ><br /></span><span style="color: rgb(102, 102, 102);font-size:100%;" >1st Part - Republic or the people's Theatr</span><span style="color: rgb(102, 102, 102);font-size:100%;" >e</span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" >*<br /><br /></span><span style="color: rgb(102, 102, 102);font-size:100%;" >* This catalogue is being constructed over time. Each signature,<br />one for each exhibition and its respective parallel events, grows<br />in tune with its own needs and headroom. It can be purchased via<br />print-on-demand, taking advantage from detaining reproduction<br />and divulging close at hand and keeping the means and costs of<br />production to a minimum.</span><span style="font-weight: bold; color: rgb(102, 102, 102);font-size:100%;" ><br /></span><br /><div><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold;font-size:100%;" ><br /><br /></span></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ2R_e2molqoA_94XDMXAT_FmhwZHc1-AT_Qsz5fOw3-xNKGybsRInn1qxNlNJLB8-1pz62Ts0c4GP8Zn0SbHY51Wu1G6fUgRsKgSSbipKfjE3y6PWfk-f5a-TwOPgTzv6Y0MuzIuf7I12/s1600-h/desenho.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ2R_e2molqoA_94XDMXAT_FmhwZHc1-AT_Qsz5fOw3-xNKGybsRInn1qxNlNJLB8-1pz62Ts0c4GP8Zn0SbHY51Wu1G6fUgRsKgSSbipKfjE3y6PWfk-f5a-TwOPgTzv6Y0MuzIuf7I12/s200/desenho.jpg" alt="" id="BLOGGER_PHOTO_ID_5332431051871911026" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);">10 de MAIO 10h – 15h </span><br /><span style="color: rgb(0, 0, 0);">JARDIM DA ESTRELA</span><br /><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il"><br /></span><span style="color: rgb(0, 0, 0); font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">Sessão de Desenho </span></span></span><span style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il"><br /></span></span></span><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">por Raquel</span><span style="color: rgb(0, 0, 0);"> </span><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">Feliciano e Francisco</span><span class="Apple-style-span" style="font-weight: bold; color: rgb(0, 0, 0);"><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0); font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"> </span></span></span></span></span></span></span><span style="font-weight: normal; color: rgb(0, 0, 0);" class="il">Pinheiro</span><br /><div><span style="font-weight: normal; color: rgb(0, 0, 0);">Limitado a 20 participantes<br /><span style="font-weight: bold;">(inscrições pelo mail: o.declive@gmail.com)</span><br /><br />Vamos desenhar no Jardim da Estrela. Vamos conviver.<br />Teremos um pique-nique, uma sesta e um exercício surrealista. Entre outros. Trabalharemos a dinâmica de acção em grupo num contexto especial — o jardim urbano é espaço público de troca e usufruto; aqui, cada indivíduo deverá saber exprimir o seu modo particular de ver, inserindo-se no todo como uma peça única de um puzzle. O cenário do jardim é propício para aguçar as percepções, abrir o corpo e a consciência ao exterior — aos outros, à cidade, ao mundo. Tudo o que será proposto poderá ser executado por qualquer pessoa, com ou sem formação de desenho. Idade: >13 anos<br /><br />material: Manta ou tolha, chapéu, farnel para almoço piquenique<br />papel (bloco pequeno ou médio), lápis/caneta/marcadores/lápis de cor (livre).<br /></span><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal;">+info: <a href="http://www.desenho-arlivre.blogspot.com/">www.desenho-arlivre.blogspot.com</a></span></span></span></span><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal;"><br /></span></span></span></span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);">10th of MAY 10 AM – 3 PM<br />JARDIM DA ESTRELA<br /><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">Drawing session </span></span></span></span><span style="font-weight: normal;" class="il"><br />by Raquel</span> <span style="font-weight: normal;" class="il">Feliciano and Francisco Pinheiro</span><br /><div><span style="font-weight: normal;">up to 20 participants (reservations through the e-mail: o.declive@gmail.com)<br /><br />material: blanket, hat, food for the pic-nic lunch,<br />paper (small ou medium block), pencil/pen/marker/coloured pencil.<br /><br />+info: <a href="http://www.desenho-arlivre.blogspot.com/">www.desenho-arlivre.blogspot.com</a><br /></span></div> </span></div></span></span><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" >———————————————</span><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" >———————————————<br /><br /></span></span></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt-PTjKgRlkCgTlvo1AkTbxv2vl7LyrPlzGN-pIwbdm4UOY83n3QBiy0XNXivodsP5sMR0ybrvbYzke9fdGD2VLveGxNHZBF45MfAjBpuVt1pbjs6G50UUCTmJmHExP4umZYZrr2qqRLNo/s1600-h/nicolau.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgt-PTjKgRlkCgTlvo1AkTbxv2vl7LyrPlzGN-pIwbdm4UOY83n3QBiy0XNXivodsP5sMR0ybrvbYzke9fdGD2VLveGxNHZBF45MfAjBpuVt1pbjs6G50UUCTmJmHExP4umZYZrr2qqRLNo/s200/nicolau.jpg" alt="" id="BLOGGER_PHOTO_ID_5334581108932463458" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">13de MAIO - 21.30 H<br />SPORT LISBOA E LAPA<br /></span><div>CONVERSAS COM CURADORES: RICARDO NICOLAU</div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">13th of MAY - 9.30 PM</span> <span style="color: rgb(102, 102, 102);"><b><br />SPORT LISBOA E LAPA<o:p></o:p></b></span><span style="color: rgb(102, 102, 102);"><br />CONVERSATIONS WITH CURATORS: RICARDO NICOLAU<br /><br /></span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyAdecFU3YHdxg8NcsaXbFNGH2bhJvmxanS5lFMByBKDgpOb2_YDAf_sSL4VGlZXMrEQySsHoUTw4BA1puWISOVmg01Cv6kHJVWnLTAAKLqrlJPlGcBmoBWpZ_RTSbaRqXKEMBYuZYqdyY/s1600-h/arq2.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 202px; height: 182px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyAdecFU3YHdxg8NcsaXbFNGH2bhJvmxanS5lFMByBKDgpOb2_YDAf_sSL4VGlZXMrEQySsHoUTw4BA1puWISOVmg01Cv6kHJVWnLTAAKLqrlJPlGcBmoBWpZ_RTSbaRqXKEMBYuZYqdyY/s400/arq2.jpg" alt="" id="BLOGGER_PHOTO_ID_5335593482396812914" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="color: rgb(0, 0, 0);">15 de MAIO 19H30 </span><br /><div style="color: rgb(0, 0, 0);">ARTE CONTEMPO<br /><span style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><br /></span></span><span style="font-weight: normal;">7 INSTRUÇÕES PARA A CIDADE DE HOJE</span><br /><span style="font-weight: normal;"> Trabalho de Grupo a partir de «Hybridraum»,<br />de Folke Köbberling & Martin Kaltwasser</span><br /></div><span style="font-weight: normal; color: rgb(0, 0, 0);">Introdução pela curadora Annette Maechtel</span><br /><br /></span><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span style="font-weight: bold;">PROGRAMA:</span><br /><br /><span style="font-weight: bold;">15 de MAIO, 19H30 – Arte Contempo</span><br />Apresentação de "die stadt von morgen" e "Hybridraum" por Annette Maechtel<br />jantar volante incluído (taboulleh e gaspacho alentejano)<br />Introdução ao projecto na freguesia da Lapa<br />Organização de grupos para Trabalho de Campo, sáb 16 maio (min. 2 pessoas)<br />Distribuição de material auxiliar ao projecto.<br /><br /><span style="font-weight: bold;">16 de MAIO, 10H00*</span><br />Trabalho de Campo:<br />Cada grupo deverá delinear um percurso para deambulação pela freguesia.<br />Reconhecimento dos espaços comuns e espaços públicos/privados.<br />Desenvolvimento de material a ser utilizado na conclusão das 7 instruções<br />(fotografia, video, desenho, escritos, material encontrado, depoimentos,<br />entrevistas, etc.)<br /><br />* este dia tem um horário de trabalho livre. Cada grupo poderá dedicar somente<br />o tempo que acha necessário à recolha de material e desenvolvimento da ideia<br />a apresentar<br /><br /><span style="font-weight: bold;">17 de MAIO, 14H00 – Sport Lisboa e Lapa</span><br />Trabalho de Grupo: Conclusão e edição de 7 novas instruções<br />A partir da recolha e experiência do dia anterior, cada grupo deve propôr<br />uma nova instrução para a cidade de Hoje.<br />Todas as instruções serão agrupadas e editadas numa brochura a ser<br />produzida no próprio dia, para ser difundida por instituições, associações,<br />escolas e outros agentes situados nesta freguesia.</span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><br /><br /><br /><span style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);">15th of MAY 7.30 PM<br /><div>ARTE CONTEMPO<br /><span style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><br /></span></span><span style="color: rgb(102, 102, 102); font-weight: normal;font-size:100%;" >7 INSTRUCTIONS FOR THE CITY OF TODAY</span><br /><span style="font-weight: normal;"> Group work from «Hybridraum»,<br />by Folke Köbberling & Martin Kaltwasser</span><br /></div><span style="font-weight: normal;">Introduction by the curator Annette Maechtel<br /><br /><span style="font-weight: bold;">PROGRAMME:</span><br /><br /><span style="font-weight: bold;">15th of MAY, 7.30 PM – Arte Contempo</span><br />Presentation of "die stadt von morgen" and "Hybridraum" by Annette Maechtel<br />Buffet dinner included (taboulleh and alentejo’s gaspacho)<br />Introduction to the project at Lapa’s Civil Parish.<br />Organisation of Field Work groups, for sat. 16th of May (min. 2 people)<br />Distribution of reference material for the project.<br /><br /><span style="font-weight: bold;">16th of MAY, 10.00 AM *</span><br />Field Work:<br />Each group should draw its own itinerary for walking around the neighbourhood.<br />Survey of community spaces and public/private spaces.<br />Development of material to be used during the conclusion of the 7 instructions<br />(photography, video, drawing, writings, found material, testimonies,<br />interviews, etc.)<br /><br />* this day will have a free work schedule. Each group may dedicate only the<br />time they find necessary to the gathering of material and development of<br />the idea to be presented.<br /><br /><span style="font-weight: bold;">17th of MAY, 2.00 PM – Sport Lisboa e Lapa </span><br />Group Work: Conclusion and edition of 7 new instructions<br />From the gathering of material and experience of the day before, each group<br />shall propose a new instruction for the city of Today.<br />All instructions will be assembled together and published in a brochure to be<br />produced on this same day, in order to be sent out to institutions, associations,<br />collectivities, schools and other agents to be found in this neighbourhood.<br /></span></span></span><span style="font-weight: bold;font-size:100%;" ><br /></span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" >———————————————</span><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" >———————————————</span></span></span></span></span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyY3_eRphOTRA_v5DO_77wgcNiFDcait83sOLzNs98wAW7D_wiESWIXpmdPGYAgrfocQRCJm8mUg_AED23YYEB5q94uOya5BdCA-9TVwqzpljrR2e2S_35PoEUxybhjfg_EhbJGW4TQLMA/s1600-h/FILMES.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyY3_eRphOTRA_v5DO_77wgcNiFDcait83sOLzNs98wAW7D_wiESWIXpmdPGYAgrfocQRCJm8mUg_AED23YYEB5q94uOya5BdCA-9TVwqzpljrR2e2S_35PoEUxybhjfg_EhbJGW4TQLMA/s200/FILMES.jpg" alt="" id="BLOGGER_PHOTO_ID_5334581109687868514" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="Apple-style-span" style="font-weight: bold;">21 de MAIO - 21H30</span><br /><span class="Apple-style-span" style="font-weight: bold;"><div><span class="Apple-style-span" style="font-weight: bold;">ARTE CONTEMPO<br /></span></div></span><span class="Apple-style-span" style="font-weight: bold;"><div style="font-weight: normal;"><span class="Apple-style-span"><br /></span></div><div><span style="font-weight: normal;" class="Apple-style-span">PROJECÇÃO DOS FILMES DE<br /></span><span style="font-weight: normal;">CM VON HAUSSWOLFF & THOMAS NORDANSTAD</span><br /><span style="font-weight: normal;">Hashima, Japan (2002)</span><br /><span style="font-weight: normal;">Al Qasr, Bahriyah Oasis, Egypt (2005)</span><br /><span style="font-weight: normal;">Electra, Texas (2008)</span></div></span><span class="Apple-style-span" style="font-weight: bold;"><br /><div><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">21th of </span></span></span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">MAY - 9.30 PM</span></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold;">ARTE CONTEMPO<br /><br /></span></span></div></span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><div><span style="font-weight: normal;" class="Apple-style-span">FILM SCREENING OF<br /></span><span style="font-weight: normal;">CM VON HAUSSWOLFF & THOMAS NORDANSTAD</span><br /><span style="font-weight: normal;">Hashima, Japan (2002)</span><br /><span style="font-weight: normal;">Al Qasr, Bahriyah Oasis, Egypt (2005)</span><br /><span style="font-weight: normal;">Electra, Texas (2008)<br /><br /></span><span><span class="Apple-style-span" style="font-weight: bold;"> <div style="text-align: left;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSH15qk-013qgrXT31ttlEB6M4gElejvwlhiB0Wd4A3vxZOg3j0mR-d6VkabecxEKV9Ajl5B8ftjJ3Z7HzmFjF5G9KrOrsSXZuy1shKD3jakolsOc1oI5IRDX4U31X1CsSS_QXRWDxPpDq/s1600-h/hashimastairs_BG.jpg"><img style="cursor: pointer; width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSH15qk-013qgrXT31ttlEB6M4gElejvwlhiB0Wd4A3vxZOg3j0mR-d6VkabecxEKV9Ajl5B8ftjJ3Z7HzmFjF5G9KrOrsSXZuy1shKD3jakolsOc1oI5IRDX4U31X1CsSS_QXRWDxPpDq/s320/hashimastairs_BG.jpg" alt="" id="BLOGGER_PHOTO_ID_5327893798722824434" border="0" /></a><br /></div> </span><span style="font-weight: normal;font-size:85%;" class="Apple-style-span" >CM VON HAUSSWOLFF & THOMAS NORDANSTAD<br /><span class="Apple-style-span" style="font-style: italic;">Hashima, Japan</span>, 2002</span></span><div><br /><span><span class="Apple-style-span" style="font-weight: bold; color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" >———————————————</span><span style="font-weight: bold; color: rgb(0, 0, 0);font-size:100%;" >———————————————</span></span></span><br /></div><br /></div></span></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-69817890190680037672009-03-26T08:23:00.000-07:002009-03-29T10:17:07.055-07:00<span style="color: rgb(102, 102, 102);"><span style="font-weight: bold; color: rgb(51, 51, 51);">BIOS</span><br />(ENGLISH VERSION BELOW)</span><br /><br /><span style="font-weight: bold;">ROSSELLA BISCOTTI (IT 1978)</span> tem exposto regularmente a nível internacional desde príncipios de 2000. Entre outras destacam-se as exposições individuais 'Le teste in oggetto', curadoria de M. Sossai, Nomas Foundation, Roma, 2009; 'The Undercover Man', Wilfried Lentz, Roterdão, 2008; 'New Crossroads', Galleria Studio la Citta, Verona (c/ Kevin van Braak), 2008; 'Everything is somehow related to everything else, yet the whole is terrifyingly unstable', Piccolo Museion, Bolzano, 2008; 'Premio NY, Italian Academy at Columbia Univesity', Nova Iorque, 2007; 'Cities of Continuous lines', Netherlands Foundation for Visual Art, Design and Architecture, Amsterdão (c/ Kevin van Braak), 2007; e variadas exposições colectivas. Foi recentemente nomeada para os prémios 'Prix de Rome', Holanda, e 'Emerging Talents', Strozzina Foundation.<br /><a href="http://www.rossellabiscotti.com/" target="blank">www.rossellabiscotti.com</a><br /><br /><span style="font-weight: bold;">HUGO CANOILAS (PT 1977) </span>tem vindo a expor regularmente em Portugal e no estrangeiro desde princípios de 2000. Entre outras destacam-se as exposições individuais 'Endless Killing', curadoria de Chus Martinez, Huarte Contemporary Art Center, 2008; 'Labyrinth', Galeria Nosbaum & Reding, Luxemburgo, 2008; 'Vota Otavio Pato', comissariada por Tobi Maier, Frankfurter Kunstverein, Frankfurt, 2007; 'Propaganda', Workplace Gallery, Gateshead/ Newcastle, 2007; 'Pinturas inglesas e outros trabalhos', Galeria de pintura do Rei D. Luís, Palácio da Ajuda , Lisboa, 2006; e as recentes colectivas 'Transformation show', comissariado por Mark Kremer, Kunstfort Vijfhuizen, Holanda; 'II Bienal das Ilhas Canárias', comissariado por Octavio Zaya, Ilhas Canárias; 'Allgarve', comissariada por Nuno Faria, Antiga Fábrica da Cerveja, Faro; todas de 2008.<br /><br /><span style="font-weight: bold;">ASIER MENDIZABAL (ES 1973) </span>tem vindo a expor regularmente em Espanha e no estrangeiro desde princípios de 2000. Entre outras destacam-se as exposições individuais Asier Mendizabal, Museu d´Art Contemporani de Barcelona, Barcelona, 2008; M-L, Galeria Carreras Mújica, Bilbao, 2008; Not all that moves (is red), Artis, Den Bosch, Holanda; e as colectivas Gure Artea, Sala Rekalde, Bilbao, 2008; MANUAL CC. Instructions for beginners and advanced players, CSW Centrum Sztuki Wspolczesnej, Varsóvia, 2008; Chacun à son gout, Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, 2007 Incognitas, Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, 2007; Pilot:1, Pilot, Londres, 2006; Bienal Manifesta 5, San Sebastian, 2005.<div><br /></div><div><span style="font-weight: bold;"><div><span style="font-weight: bold;">MARIANA SILVA (PT 1983) </span><span style=""><span class="Apple-style-span" style="font-weight: normal;">participou em diversas exposições colectivas, desde 2004, tais como ‘Eurásia’, Casa Museu Anastácio Gonçalves, Lisboa; ‘Antes que a produção cesse’, Espaço Avenida, Lisboa, 2007;‘Art Meeting 2006’ e ‘Rundgang’, Unverisität der Künste, Berlim, 2006 e 2007 respectivamente. </span></span><span class="Apple-style-span" style="font-weight: normal;">Foi co-editora, com Raquel Feliciano e Rita Roberto, sob coordenação da socióloga Vanda Gorjão, do segundo número da revista ‘Marte’ – publicação de teoria de arte dedicado ao tema ‘Legitimação em Arte’, 2006. Colaborou como assistente em diversos projectos do E-Flux – site de divulgação de notícias de arte contemporânea entre Março 2007 e Agosto de 2008. Em 2008, lança o livro de artista ‘O Desenho de Fuga/The Escape Route´s Design’, em co-autoria com Pedro Neves Marques, Sparwasser H. q., Berlim. Mariana Silva foi um dos vencedores do prémio BES Revelação, Museu de Serralves, 2008.<br /></span><br /></div><div><span style="font-weight: bold;">HERBERT BAYER (AT 1900 – US 1985)</span> <span class="Apple-style-span" style="font-weight: normal;">foi um designer gráfico, pintor, fotografo e arquitecto Austriaco. Bayer foi aluno do artista Georg Schmidthammer em Linz. Depois de deixar o atelier para estudar na colónia de artistas de Darmstadt, interessou-se pelo manifesto da Bauhaus de Walter Gropius. Após Bayer ter estudado quatro anos na Bauhaus com professores com Wassily Kandinsky e László Moholy-Nagy, Gropius nomeou-o director do departamento de impressão e publicidade da escola.<br /></span><span class="Apple-style-span" style="font-weight: normal;"><a href="http://www.herbertbayer.org/" target="blank">www.herbertbayer.org</a></span><br />__________________________________________________<br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">ROSSELLA BISCOTTI (IT 1978)</span><span style="color: rgb(102, 102, 102);"> <span class="Apple-style-span" style="font-weight: normal;">has exhibited internationally since the early 00's Solo shows: 'Le teste in oggetto', curated by M. Sossai, Nomas Foundation, Rome, 2009; 'The Undercover Man', Wilfried Lentz, Rotterdam, 2008; 'New Crossroads', Galleria Studio la Citta, Verona (with Kevin van Braak), 2008; 'Everything is somehow related to everything else, yet the whole is terrifyingly unstable', Piccolo Museion, Bolzano, 2008; 'Premio NY', Italian Academy at Columbia Univesity, NY, 2007; 'Cities of Continuous lines', Netherlands Foundation for Visual Art, Design and Architecture, Amsterdam (with Kevin van Braak), 2007; among other. Was recently nominated for the 'Prix de Rome', The Netherlands, and 'Emerging Talents', Strozzina Foundation.</span></span><span class="Apple-style-span" style="font-weight: normal;"><br /></span><a style="color: rgb(102, 102, 102);" href="http://www.rossellabiscotti.com/" target="blank"><span class="Apple-style-span" style="font-weight: normal;">www.rossellabiscotti.com</span></a><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">HUGO CANOILAS (PT 1977)</span><span style="color: rgb(102, 102, 102);"> <span class="Apple-style-span" style="font-weight: normal;">has exhibited regularly in Portugal and abroad since the early 00's. Solo shows: 'Endless Killing', curated by Chus Martinez, Huarte Contemporary Art Center, 2008; 'Labyrinth', Galeria Nosbaum & Reding, Luxemburg, 2008; 'Vota Otavio Pato', commissioned by Tobi Maier, Frankfurter Kunstverein, Frankfurt, 2007; 'Propaganda', Workplace Gallery, Gateshead/ Newcastle, 2007; 'Pinturas inglesas e outros trabalhos', Galeria de pintura do Rei D. Luís, Palácio da Ajuda, Lisboa, 2006; Among others, recent colective shows include: 'Transformation show', comissioned por Mark Kremer, Kunstfort Vijfhuizen, Holanda; 'II Bienal das Ilhas Canárias', commissioned by Octavio Zaya, Canary Islands; 'Allgarve', commissioned by Nuno Faria, Antiga Fábrica da Cerveja, Faro; all in 2008.</span></span><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">ASIER MENDIZABAL (ES 1973)</span><span style="color: rgb(102, 102, 102);"> <span class="Apple-style-span" style="font-weight: normal;">has exhibited regularly in Spain and abroad since the early 00's. Solo shows: 'Asier Mendizabal', Museu d´Art Contemporani de Barcelona, Barcelona, 2008; 'M-L', Galeria Carreras Mújica, Bilbao, 2008; 'Not all that moves (is red)', Artis, Den Bosch, The Netherlands; among others. Solo shows: 'Gure Artea', Sala Rekalde, Bilbao, 2008; 'MANUAL CC. Instructions for beginners and advanced players', CSW Centrum Sztuki Wspolczesnej, Warsaw, 2008; 'Chacun à son gou't, Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, 2007 'Incognitas', Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, 2007; 'Pilot:1', Pilot, London, 2006; 'Biennal Manifesta 5', San Sebastian, 2005; among others.</span></span><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">MARIANA SILVA (PT 1983) </span><span style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: normal;">has participated in several group exhibitions since 2004, such as ‘Eurásia’, Casa Museu Anastácio Gonçalves, Lisbon, 2007; ‘Antes que a produção cesse/ Before production ceases’ Espaço Avenida, Lisbon, 2007; ‘Art Meeting 2006’ and ‘Rundgang’, Unverisität der Künste, Berlin, 2006 and 2007 respectively). Under the coordination of Vanda Gorjão, Mariana Silva co-edited, with Raquel Feliciano and Rita Roberto, the second issue of ‘MArte’, an art theory magazine, dedicated to ‘Legitimization in Art’, in 2006. She has collaborated as a project assistant in several activities of the contemporary art new website e-Flux, between March 2007 and August 2008. In 2008 she co-authored the artist's book ‘The Escape Route’s Design’ with Pedro Neves Marques, launched at Sparwasser H.q., Berlin. Mariana Silva is one of the winners of BES Revelação prize, Serralves Museum, 2008. </span></span><br /></div></span></div><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">HERBERT BAYER (AT 1900 – US 1985)</span><span style="color: rgb(102, 102, 102);"> was an Austrian graphic designer, painter, photographer, and architect. Bayer apprenticed under the artist Georg Schmidthammer in Linz. Leaving the workshop to study at the Darmstadt Artists' Colony, he became interested in Walter Gropius's Bauhaus manifesto. After Bayer had studied for four years at the Bauhaus under such teachers as Wassily Kandinsky and László Moholy-Nagy, Gropius appointed Bayer director of printing and advertising.</span><br /><a style="color: rgb(102, 102, 102);" href="http://www.herbertbayer.org/" target="blank">www.herbertbayer.org</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-70910049561862828782009-03-25T02:43:00.000-07:002009-05-11T15:13:43.469-07:00<span style="font-weight: bold;">———————————————</span><span style="font-weight: bold;">———————————————</span><br /><span style="font-weight: bold;">ABRIL / APRIL<br />———————————————</span><span style="font-weight: bold;">———————————————</span><br /><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc4DUcqpmHZRNVteXiKLTgjWvmsduMetPW7JAFDYsnCKMmK7SG_2P3zG9-DaTfJ9oqoW8ng6ddQtVOKP_lUCbOBrlRyN91af-qXkcu2Y7tB9G_M4ElXR65A0m2rU411OOk8Uc2VsMrGzmT/s1600-h/expo1a.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 176px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc4DUcqpmHZRNVteXiKLTgjWvmsduMetPW7JAFDYsnCKMmK7SG_2P3zG9-DaTfJ9oqoW8ng6ddQtVOKP_lUCbOBrlRyN91af-qXkcu2Y7tB9G_M4ElXR65A0m2rU411OOk8Uc2VsMrGzmT/s200/expo1a.jpg" alt="" id="BLOGGER_PHOTO_ID_5319085882804154834" border="0" /></a></div><div><span style="font-weight: bold;"><br /><br /></span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div>4 de ABRIL <span style="font-weight: bold;">— 18 H</span><br /><div><span style="font-weight: bold;">ARTE CONTEMPO</span><br />Inauguração da exposição REPÚBLICA OU O TEATRO DO POVO<br /><span style="font-weight: bold; color: rgb(102, 102, 102);"><br />4th of APRIL — 6 PM<br />ARTE CONTEMPO<br /></span></div><div><span style="color: rgb(102, 102, 102);">Opening of the exhibition REPUBLIC OR THE PEOPLE'S THEATRE</span><br /><br /><span style="font-weight: bold;">———————————————</span><span style="font-weight: bold;">———————————————</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOS3qgsa3nEPYieVI9Zl_0QjxS6WsDZzUQHrhvS4yDMl0WUDaFrAGKw7rmJbEUphTumt2nPTIh0z7bsjBzy3eum5oL-qYqH3kLuRz8dC2ysybQpzfUV6-IQoSJ1cfGquzYpGUvg_cgHpT8/s1600-h/mineiros.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOS3qgsa3nEPYieVI9Zl_0QjxS6WsDZzUQHrhvS4yDMl0WUDaFrAGKw7rmJbEUphTumt2nPTIh0z7bsjBzy3eum5oL-qYqH3kLuRz8dC2ysybQpzfUV6-IQoSJ1cfGquzYpGUvg_cgHpT8/s200/mineiros.jpg" alt="" id="BLOGGER_PHOTO_ID_5318665839610171490" border="0" /></a><span style="font-weight: bold;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />4 de ABRIL</span> -<span style="font-weight: bold;"> 19.30 H</span><br /><span style="font-weight: bold;">ARTE CONTEMPO</span><br />Actuação do Grupo Coral do Sindicato Mineiro de Aljustrel<span style="font-weight: bold;"><br /><span style=""><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><br /></span></span></span><span style="font-weight: bold;"><span style=""><span class="Apple-style-span" style="color: rgb(102, 102, 102);">4th of </span></span></span><span style="font-weight: bold;"><span style=""><span class="Apple-style-span" style="color: rgb(102, 102, 102);">APRIL -</span></span><span style=""><span class="Apple-style-span" style="color: rgb(102, 102, 102);"> 7.30</span></span><span style=""><span class="Apple-style-span" style="color: rgb(102, 102, 102);"> PM </span></span></span></div><div><span style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">ARTE CONTEMPO<br /></span></span><span style="color: rgb(102, 102, 102);">Performance of the Mineworkers' Union Choir of Aljustrel<br /><br /><br /></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"><div><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"><div><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzDy1zcs9pTtbizTkGZY8up6kfC8KmbSIAHCIwHbSQWt2DVwPSX9ako2o0KEIqkneiKktgbSk0IWnoCyF3RVA' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br /><br /></div></span></span></span></div></span></span></span></span></span></span></span></span></span></span></span></span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"><div><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwWu4RW241lFmqHLrUsYJHjaOvtHv7rQr9Q6rnJYECc3_IIIDTvFh4AflfzDFypP-x7aP84E-Eup4g9TMhkSw' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br /><br /></span></span></span></span></span></span></span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"><div><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwEeq62vn2ibp29D0I7lrgCKC8ILNu71tJpfmmee2RxOmsrmqVEyHF-Q5_qz4IJhN7Fex2X_XwLmh98srbuaw' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br /><br /></span></span></span></span></div></span></span></span></span></span></span></span></span></span></span></span></span></span></div></span></span></span></span></span></span></span></span></span></span></span><br /><span style="font-weight: bold;">———————————————</span><span style="font-weight: bold;">—</span><span style="font-weight: bold;">——————————————</span><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY8lhXfK3B9A-74hdEGVRCmsMiwXTKg07txIAM9qlMp9yfwCL6MgzHoYMF-RTGAnw968pZ6K7OSUfp5w_rUfXds_A0vCtYA1s_BRfROt52oI5bFaHgNEB6C9A-vTLIiG2E91nzdwcNDwuv/s1600-h/nuno+faria.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY8lhXfK3B9A-74hdEGVRCmsMiwXTKg07txIAM9qlMp9yfwCL6MgzHoYMF-RTGAnw968pZ6K7OSUfp5w_rUfXds_A0vCtYA1s_BRfROt52oI5bFaHgNEB6C9A-vTLIiG2E91nzdwcNDwuv/s200/nuno+faria.jpg" alt="" id="BLOGGER_PHOTO_ID_5321189379310728002" border="0" /></a><br /><span class="Apple-style-span" style="font-weight: bold;"><br /><br /><br /><br /><br /></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span class="Apple-style-span" style="font-weight: bold;"><br /><br /><br /><br />8 de ABRIL - 21.30 H<br />SPORT LISBOA E LAPA<br /></span></div><div>CONVERSAS COM CURADORES: NUNO FARIA<br /><span style="color: rgb(102, 102, 102); font-weight: bold;">(english version below)</span><span style="font-family:Arial;"><span style="font-size:9;"><br /></span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="font-family:Arial;"><span style="font-size:9;">O ciclo «Con</span></span><span style="font-family:Arial;"><span style="font-size:9;">versas com Curadores» propõe a um curador por se</span></span><span style="font-family:Arial;"><span style="font-size:9;">ssão a apresentação do seu percurso de trabalho</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;"> e pesquisa teórico-prática. Ten</span></span><span style="font-family:Arial;"><span style="font-size:9;">do em vista o arco temporal necessário à construção d</span></span><span style="font-family:Arial;"><span style="font-size:9;">e um percurso ou pesquisa </span></span><span style="font-family:Arial;"><span style="font-size:9;">autoral, o ciclo tem por objectivo </span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">reflectir áreas de investimento e abordagens da curadoria portuguesa segundo as perspe</span></span><span style="font-family:Arial;"><span style="font-size:9;">ct</span></span><span style="font-family:Arial;"><span style="font-size:9;">ivas dos próprios agentes, proporcionando-se um espaço de ju</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">staposição e debate em que o público é convidado a participar.<br /></span></span><br /><span style="font-family:Arial;"><span style="font-size:9;">Nuno Faria é u</span></span><span style="font-family:Arial;"><span style="font-size:9;">m curador independe</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">nte, tendo trabalhado no IAC (In</span></span><span style="font-family:Arial;"><span style="font-size:9;">stituto de Arte Contemporânea</span></span><span style="font-family:Arial;"><span style="font-size:9;">) entre 1997-200</span></span><span style="font-family:Arial;"><span style="font-size:9;">3. É, desde 2003, consultor do Serviço de Belas-Artes/Fundaç</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">ão Gulbenkian, instituição onde entre 2003 e 2007 trabalh</span></span><span style="font-family:Arial;"><span style="font-size:9;">ou como curador convidado. Organizou exposições antológicas como a "TRANSCRI</span></span><span style="font-family:Arial;"><span style="font-size:9;">Ç</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">ÕES E ORQUEST</span></span><span style="font-family:Arial;"><span style="font-size:9;">RAÇÕES. DESENHOS DE ÂNGELO DE SOUSA" "FERNANDO CALHAU – </span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">D</span></span><span style="font-family:Arial;"><span style="font-size:9;">ESSIN" ambas no Centro de Arte</span></span><span style="font-family:Arial;"><span style="font-size:9;"> Moderna, e a exposição antológica do pintor Luis Noronha da Costa "NORONHA D</span></span><span style="font-family:Arial;"><span style="font-size:9;">A</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;"> COSTA REVISITADO: 1965-1983" colaboraçã</span></span><span style="font-family:Arial;"><span style="font-size:9;">o com Miguel Wandschneid</span></span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family:Arial;"><span style="font-size:9;">er. Vive e trabalha no Algarve </span></span><span style="font-family:Arial;"><span style="font-size:9;">onde actualmente desenvolve o projecto do futuro Museu de Arte Contemporânea de Faro.</span></span><br /><br /><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;">8th of APRIL - 9.30 PM</span> <span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="color: rgb(102, 102, 102);"><b>SPORT LISBOA E LAPA<o:p></o:p></b></span> <span style="color: rgb(102, 102, 102);"><br />CONVERSATIONS WITH CURATORS: NUNO FARIA</span></div><div> <p class="MsoNormal" style=""><span style="color: rgb(102, 102, 102);"> The cycle "Conversations with curators" proposes a presentation of a curator's work and research per session. Acknowledging the necessary temporal arch to the construction of a work or authorial research, the cycle intends to reflect areas of investment and approaches in Portuguese curatorial practices from within the perspectives of these same agents, opening a space for confrontation and di</span><span style="color: rgb(102, 102, 102);">alogue where the public is invited to participate.</span></p> <p class="MsoNormal"><span style="color: rgb(102, 102, 102);">Nuno Faria is an independent curator. He has worked at IAC (Instituto de Arte Contemporânea) between 1997-2003, and is, since 2003, consultant to Serviço de Belas-Artes/ Calouste Gulbenkian Foundation, institution where he has worked as invited curator between 2003 and 2007. He has organized, among others, the anthological shows "TRANSCRIÇÕES E ORQUESTRAÇÕES. DESENHOS DE ÂNGELO DE SOUSA" "FERNANDO CALHAU – DESSIN" both at Centro de Arte Moderna (CAM), and painter Luis Noronha da Costa's anthological exhibition "NORONHA DA COSTA REVISITADO: 1965-1983" in collaboration with Miguel Wandschneider. He currently works and lives in Algarve where he is developing the project for the future Contemporary Art Museum of Faro.</span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><o:p></o:p></p> <!--EndFragment--> </div><div>__________________________________________________</div><div><div><br /></div><div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWmSiaTBI5Y716AeMiQ1mLJfePwYLOkjxFf7nNQAprYlTcBMOJPxL7K1qUDa97QKv1jaZvdoG2leKxMPSfDX-ldxmurEfOg5ClKdWsgSiMuVjLg5A88GBg8o3k4UkUlZcKsN3AXx6ucLEP/s1600-h/convite+seminario+crop.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWmSiaTBI5Y716AeMiQ1mLJfePwYLOkjxFf7nNQAprYlTcBMOJPxL7K1qUDa97QKv1jaZvdoG2leKxMPSfDX-ldxmurEfOg5ClKdWsgSiMuVjLg5A88GBg8o3k4UkUlZcKsN3AXx6ucLEP/s200/convite+seminario+crop.jpg" alt="" id="BLOGGER_PHOTO_ID_5324833852505752162" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span class="Apple-style-span" style="font-weight: bold;"><br /><div><span class="Apple-style-span" style="font-weight: bold;">18 e 19 de ABRIL</span></div><div style="text-align: left;"><span class="Apple-style-span" style="font-weight: normal;"><div><span class="Apple-style-span" style="font-weight: bold;">SPORT LISBOA LAPA</span></div></span></div></span><span class="Apple-style-span" style="font-weight: bold;"><div style="text-align: left; font-weight: normal;">SEMINÁRIO:</div><div><span style="font-weight: normal;" class="Apple-style-span">CASO DE ESTUDO: SAAL E PRÁTICAS PARTICIPATIVAS<br /></span><span style="color: rgb(102, 102, 102);">(english version below)</span><span style="font-family:Arial;"><span style="font-size:9;"><br /></span></span><br /></div></span><span class="Apple-style-span" style="font-weight: bold;"><div><span style="font-weight: normal;" class="Apple-style-span"> <p class="MsoNormal" style="">com José António Bandeirinha (arquitecto), João Dias (documentarista), Nuno Sacramento (curador) e José Bártolo (crítico e curador de design)</p></span><div><span style="font-weight: bold;"> <p><span style="font-weight: normal;">O projecto SAAL - serviço ambulatóri</span><span><span><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span></span></span></span></span><span style="font-weight: normal;">o de apoio local - foi um programa de habitação social surgido no pós-25 de Abril (1974/ 76), concebido pelo arquitecto Nuno Portas, que embora não o prevendo, acolheu e estruturou com </span><span style="font-weight: normal;">v</span><span style="font-weight: normal;">ários fins a participação das populações a quem as habitações se destinavam. O processo do SAAL estendeu-se a todo o território português, tendo-se focado maioritariamente em zonas urbanas.<br /></span></p> <p><span style="font-weight: normal;">O seminário reuniu ao longo dos dois dias cerca de 20 pessoas. O modelo de aproximação às comunidades, a atribuição de papéis para a contribuição de cada elemento interno e externo às mesmas, nomeadamente o papel dos arquitectos na sua organização e concepção, foram alguns dos elementos abordados.</span><span style="font-weight: normal;"> Abordou-se também o levantamento das problemáticas políticas então surgidas, do desgaste da iniciativa cívica, e das críticas estruturais à concepção do projecto arquitectónico.</span></p> <p><span style="font-weight: normal;">Num segundo momento, propôs-se tomar o projecto SAAL como ponto de partida para a análise de problemáticas comuns decorrentes do envolvimento do utilizador no processo de construção e/ ou elaboração de um projecto, tanto ontem como hoje, que abrangem invariavelmente questões mais latas como o populis</span><span style="font-weight: normal;">mo, autoria partilhada, pressões governamentais ou a instrumentalização da cultura, nom</span><span><span class="Apple-style-span" style="font-weight: bold;"><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span></span></span><span style="font-weight: normal;">eadamente na área das Artes Visuais e do Design.</span></p></span></div><span class="Apple-style-span" style="font-weight: bold;"><!--EndFragment--></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">18th and 19th of APRIL</span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">SPORT LISBOA LAPA</span></span></div></span><span class="Apple-style-span"><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);">WORKSHOP:</span></div><div><span class="Apple-style-span"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">CASE STUDY: SAAL AND PARTICIPATORY PRACTICES<br /></span></span></div></span><span class="Apple-style-span" style="font-weight: bold;"><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><br /></span><span style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: normal;">with José António Bandeirinha (arquitect), João Dias (documentarist), Nuno Sacramento (curator) e José Bártolo (critic e curator in design)</span><br /><br /><span style="font-weight: normal;">The SAAL project - roughly translated as ambulatory service of local support - was a post 25th of April (1974/ 76) social habitation program, conceived by architect Nuno Portas, that, although not predicting it, structured with different ends the participation of the populations to which it was destined. Focusing mainly in urban areas, the SAAL process ranged the whole of the Portuguese territory.</span></span></span><span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: bold;"></span></span></span><br /><br /><span style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold;"><span style="font-weight: normal;">The seminar brought together around 20 persons. The models of approach to the communities, as well as the attribution of roles to the contribution of each internal and external element to these, namely the role of the architects in its organization and conception, were some of the discussed themes. It was also discussed the political problematics which came from the process; the deterioration of civic initiative; and the structural critics made to the conception of the architectonical project.</span><br /><br /><span style="font-weight: normal;">In a second moment, it was proposed to read SAAL as a starting point for an analyses of common problematics resultant from the involvement of the user in the process of construction and elaboration of a project, yesterday and today; problematics which invariably range ampler concepts such as populism, shared authorship, governmental pressures and the instrumentalism of culture, namely in the fields of Visual Arts and Design.</span></span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"> </span></span></div><div><span style="font-weight: bold;">———————————————</span><span style="font-weight: bold;">———————————————</span></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJPeNEkpaWoHkK7IPXsAOXEAOtMHmMIeJm8QSkuYyEYveLqbMABprC4EEI5PdU-gT2GaXKT66klCO4S47TbEXxgfvhX0Oecudv08H1PfVa_3Zbd_AxXDgWNnLxNz3QkV2Fxq0yiY-l5DTR/s1600-h/meia+praia.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 174px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJPeNEkpaWoHkK7IPXsAOXEAOtMHmMIeJm8QSkuYyEYveLqbMABprC4EEI5PdU-gT2GaXKT66klCO4S47TbEXxgfvhX0Oecudv08H1PfVa_3Zbd_AxXDgWNnLxNz3QkV2Fxq0yiY-l5DTR/s200/meia+praia.jpg" alt="" id="BLOGGER_PHOTO_ID_5326825302693339650" border="0" /></a><br /><br /><span class="Apple-style-span" style="font-weight: bold;"></span><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVmVWsnNKDhE8L3JLVl_3tzybqCpZ0KqCxkxsYccK4DYw9weDEN80OMGyHbf7tyxW1xVoYm12kVeuYW5o3F7UyHsSc7aHssMP-1PMMbdsx7LbCC9Wqm8Zj7hfsgfrP90-2Qcnn8mxksvjI/s1600-h/FILME.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 158px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVmVWsnNKDhE8L3JLVl_3tzybqCpZ0KqCxkxsYccK4DYw9weDEN80OMGyHbf7tyxW1xVoYm12kVeuYW5o3F7UyHsSc7aHssMP-1PMMbdsx7LbCC9Wqm8Zj7hfsgfrP90-2Qcnn8mxksvjI/s400/FILME.jpg" alt="" id="BLOGGER_PHOTO_ID_5318983153017670754" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold;">18 de ABRIL - 21.30H</span><br /></div><div><span class="Apple-style-span" style="font-weight: bold;">SPORT LISBOA LAPA</span></div><div><span class="Apple-style-span" style="font-weight: bold;"><br />SAAL E PRÁTICAS PARTICIPATIVAS</span></div><div><span class="Apple-style-span">PROJECÇÃO DO FILM</span><span class="Apple-style-span">E<br />CONTINUAR A VIVER, 1976, 110', de António Cunha Telles</span></div><div><span style="color: rgb(102, 102, 102);">(english version below)</span><span style="font-family:Arial;"><span style="font-size:9;"><br /></span></span><br /></div><div><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;">Entre o documento etnográfico e o filme-manifesto “Continuar a Viver ou os Índios da Meia-Praia” é documentário sobre uma comunidade piscatória do Algarve nas imediações de Lagos. Depois da Revolução dos Cravos, nos dois anos que se seguiram, vive-se nesse local uma experiência particular: como o apoio do SAAL (Serviço de Apoio Ambulatório) as velhas casas são substituídas por habitações de pedra e os habitantes lançam-se no projecto d</span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;">e uma cooperativa de pesca. Surgem dúvidas e contradições em consequência do desgaste que um projecto de tal empenho implica.</span></span></div><div><br /></div><div><br /><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">18th of </span></span></span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">APRIL - 9.30 PM</span></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-weight: bold;">SPORT LISBOA LAPA<br /><br /></span></span></div><div style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span">SAAL AND PARTICIPATION<br /><span style="font-weight: normal;">FILM SCREENING</span><br /></span></span></div><div><span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span">CONTINUAR A VIVER</span>, 1976, 110', by António Cunha Telles</span></span></span></span></span></div><div><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">Between an ethnographic documentary and a filmed manifesto, “Continuar a Viver ou os Índios da Meia-Praia” is a movie about a fishing community in near L</span></span></span></span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">agos, Algarve. After the carnation revolution, during the two following years, the</span></span></span></span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);"> place lives an particular experience: with the support of SAAL (Serviço Ambulatório de Apoio Local) the old houses are substituted by stone houses and the community tries to run a fishing co-op. Doubt and contradiction appear in consequence of the exhaustion a project of such commitment implies.</span></span></span></span><br /></span></div></span></div></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-48400795538776167572009-03-24T04:53:00.001-07:002009-07-20T10:28:43.398-07:00<span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >VISTAS DA INSTALAÇÃO / INSTALLATION VIEWS<br /></span><span style="font-size:100%;">fotografias/photographs: Bruno Lopes</span><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————<br /><br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHKhE7eT_oyojFnIQY_hUxje7SJo2ZuRhU9hdUPKH6OU4Tx7l9Wt4dUyEIMOVjLIjXLKidGCg8-llrLjnRM68-rG-PSTx5LcH3eK33p5NYjvTZlxbORE0cohBRGPTdFQZR7w-toXTr4hBk/s1600-h/1.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 267px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHKhE7eT_oyojFnIQY_hUxje7SJo2ZuRhU9hdUPKH6OU4Tx7l9Wt4dUyEIMOVjLIjXLKidGCg8-llrLjnRM68-rG-PSTx5LcH3eK33p5NYjvTZlxbORE0cohBRGPTdFQZR7w-toXTr4hBk/s400/1.JPG" alt="" id="BLOGGER_PHOTO_ID_5328742872411836962" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3T41-3etBPMRhdV462EC0jPyJy7LiVheqTGzbgyEnagINqqImiWIIkw70jczfH9MbBD51OlysIbyuG59Q-_6YIpF-nt-lojrAXyt6HI9NmR5WDy-npwy7H99wV4yA4kVJuF6NjyLzFlKM/s1600-h/2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 299px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3T41-3etBPMRhdV462EC0jPyJy7LiVheqTGzbgyEnagINqqImiWIIkw70jczfH9MbBD51OlysIbyuG59Q-_6YIpF-nt-lojrAXyt6HI9NmR5WDy-npwy7H99wV4yA4kVJuF6NjyLzFlKM/s400/2.jpg" alt="" id="BLOGGER_PHOTO_ID_5328742868001067714" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4IwDMpDquM9lrkOMvP4F4sGelUs0ySMGcykBPiGP8lMUDfMef_VCnLlP6WluE3L1qROdXgAJrEFGw3VyTF8rwI2dco9yFGnLI4aGV2YYadr5HFsoUAdz4rpdIA3qUvnDSdff4oEC61eUF/s1600-h/3.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 293px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4IwDMpDquM9lrkOMvP4F4sGelUs0ySMGcykBPiGP8lMUDfMef_VCnLlP6WluE3L1qROdXgAJrEFGw3VyTF8rwI2dco9yFGnLI4aGV2YYadr5HFsoUAdz4rpdIA3qUvnDSdff4oEC61eUF/s400/3.JPG" alt="" id="BLOGGER_PHOTO_ID_5328742692710479058" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWefj1HMULMKH7PlTol9ZmSzXy9zFuHunqssIcExbKowJ5ie4Ndjh2zcuIJn4DAwnjfmEo5RIO-7c4wgz5OzntwEue4aoIimuga_F2tG1gObK_ErAd60lco2GExxJTvF9rm3k5JCKEiasY/s1600-h/019+72dpis.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 298px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWefj1HMULMKH7PlTol9ZmSzXy9zFuHunqssIcExbKowJ5ie4Ndjh2zcuIJn4DAwnjfmEo5RIO-7c4wgz5OzntwEue4aoIimuga_F2tG1gObK_ErAd60lco2GExxJTvF9rm3k5JCKEiasY/s400/019+72dpis.jpg" alt="" id="BLOGGER_PHOTO_ID_5329128307171827522" border="0" /></a><span style="font-size:100%;">HUGO CANOILAS<br /><span style="font-style: italic;">Planalto</span>, 2009</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeIn9LmEbJaaQfI7i0H0AN6Xu_ja_IPuNBonXMEkMejcHkaYwZ6KhX75WKelf2Ev3PjhaGDiioZYees_z_DW7QtAWYk4PRgncvRL1CR1qjZBMw_8tThExsXh55kHyouTEF8zg04VXj8RD/s1600-h/4.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeIn9LmEbJaaQfI7i0H0AN6Xu_ja_IPuNBonXMEkMejcHkaYwZ6KhX75WKelf2Ev3PjhaGDiioZYees_z_DW7QtAWYk4PRgncvRL1CR1qjZBMw_8tThExsXh55kHyouTEF8zg04VXj8RD/s400/4.jpg" alt="" id="BLOGGER_PHOTO_ID_5328742695849107394" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRjRQV70nHVYjRlPHaEVlLJieMSgF9FsdpTGGnztZmkWWk5vW0DwANFk72O0Vfej9kjuBtgLwrn3TMrbstY9JE0IzjHLCFfw2CVU5ToHZX9PHGHfVuHhJqbqNhgaGwzE6CYXt0rTH0u6GF/s1600-h/Panorama+2+72dpis.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 257px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRjRQV70nHVYjRlPHaEVlLJieMSgF9FsdpTGGnztZmkWWk5vW0DwANFk72O0Vfej9kjuBtgLwrn3TMrbstY9JE0IzjHLCFfw2CVU5ToHZX9PHGHfVuHhJqbqNhgaGwzE6CYXt0rTH0u6GF/s400/Panorama+2+72dpis.jpg" alt="" id="BLOGGER_PHOTO_ID_5329127414570476146" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg62D13zofPWOZCgdcfwf_t-m8f1LHtu0QZN9V0FDnKNblttTkEgbjDBjhLHlrdPlqf72oqHx8ww4spPocES2CCYzNCtGG57OU38zLg9aYLYhVPkMDv3G15y6cOd7akoy0M8nrw9CbLtr9L/s1600-h/eine+milliarde.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg62D13zofPWOZCgdcfwf_t-m8f1LHtu0QZN9V0FDnKNblttTkEgbjDBjhLHlrdPlqf72oqHx8ww4spPocES2CCYzNCtGG57OU38zLg9aYLYhVPkMDv3G15y6cOd7akoy0M8nrw9CbLtr9L/s400/eine+milliarde.jpg" alt="" id="BLOGGER_PHOTO_ID_5329139431615751666" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhXpLoxx2ECBmCqcyN4xZeJCBxp-UpCO-L_lyyagXDSO-VEQbZ7WIxdE6TbQQJvEBy_vFdZR1AP4fIHH3ubPO03pjk_7rtjjtWrb42LlHbHsM53sKRxZM4OMEDWZ1OJHGH64qHGR4qTh_M/s1600-h/notgeld+journal.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhXpLoxx2ECBmCqcyN4xZeJCBxp-UpCO-L_lyyagXDSO-VEQbZ7WIxdE6TbQQJvEBy_vFdZR1AP4fIHH3ubPO03pjk_7rtjjtWrb42LlHbHsM53sKRxZM4OMEDWZ1OJHGH64qHGR4qTh_M/s400/notgeld+journal.JPG" alt="" id="BLOGGER_PHOTO_ID_5329132508892260354" border="0" /></a><span style="text-decoration: underline;"></span><span style="font-size:100%;">ASIER MENDIZABAL<br /></span><span class="Apple-style-span" style="font-style: italic;"> Zer eskatzen du herriak!? (What do people do !?)</span>, 2002<br />+<br />MARIANA SILVA<br /><span style="font-style: italic;">Notgeld, Herbert Bayer, 1923</span>, 2009<br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBe8l3SwP_w88GHmu2tZC_IIl2b6UhB3GZY40hS8n8RZnEklRItS7DGr1Ab8j7qP5-se0GPgX4Lxu6N53BNlPQv0PPFwKYG-9ZjdqWd_WwntiqnBHvEFu4MJkGXmEG1NQlKF3XM6Nr2vrK/s1600-h/6.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBe8l3SwP_w88GHmu2tZC_IIl2b6UhB3GZY40hS8n8RZnEklRItS7DGr1Ab8j7qP5-se0GPgX4Lxu6N53BNlPQv0PPFwKYG-9ZjdqWd_WwntiqnBHvEFu4MJkGXmEG1NQlKF3XM6Nr2vrK/s400/6.jpg" alt="" id="BLOGGER_PHOTO_ID_5328742688885087026" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwhN2kynZn9omQMn4_dR7aGIueUAc9cqMK6L5oK5rxbxDFBrYPluep91hpg1zrtfN-lufb_MAZvxnXpQXwztOieu2pdtXBPVnxDc-ARPSAErEDETNvgXggZuGP8wSeOqnSDoA6ZdXl1l2u/s1600-h/7.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwhN2kynZn9omQMn4_dR7aGIueUAc9cqMK6L5oK5rxbxDFBrYPluep91hpg1zrtfN-lufb_MAZvxnXpQXwztOieu2pdtXBPVnxDc-ARPSAErEDETNvgXggZuGP8wSeOqnSDoA6ZdXl1l2u/s400/7.jpg" alt="" id="BLOGGER_PHOTO_ID_5328742685492300818" border="0" /></a>ROSSELLA BISCOTTI<br /><span class="Apple-style-span" style="font-style: italic;">L'Italia é una repubblica democratica fondata sul lavoro</span>, 2004<br /><br /><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><span style="font-size:100%;"><br /></span><span style="font-weight: bold;font-size:100%;" >TRABALHOS/ WORKS<br />———————————————</span><span style="font-weight: bold;font-size:100%;" >———————————————</span><br /><span style="font-weight: bold;font-size:100%;" ><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO08h6f0RsWZqIN7oa3B-febdnbzmcOz2UJsOiARJfu-_KF9A2xd6qXvniW1AwMgS2570YCsTgmgA9H3WARtmb555q2fqlfrgv0FbAPjW2UtD4HfnrV0XAVCBstNrJino61TQTLOdY2ZjH/s1600-h/6a3b123e48ca3ece2aed7fb728d121ee.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 160px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO08h6f0RsWZqIN7oa3B-febdnbzmcOz2UJsOiARJfu-_KF9A2xd6qXvniW1AwMgS2570YCsTgmgA9H3WARtmb555q2fqlfrgv0FbAPjW2UtD4HfnrV0XAVCBstNrJino61TQTLOdY2ZjH/s200/6a3b123e48ca3ece2aed7fb728d121ee.jpg" alt="" id="BLOGGER_PHOTO_ID_5317202899120834066" border="0" /></a><br /><br /><br /><br /><span style="font-size:100%;"><br /><br /></span><br /><span style="font-size:100%;"><br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAUufsL4DkIkWSqg7tVpLTZTQP5qY0ybh9U9KDr0qNC13CMhlowd31fv83_0-ior_Ck-kUoEJ9-VCLdDBqe5cORLTBlcKUPUlt0oBh5EWAdtQwBJw340A5zce2-knmJ8-q9rLHjsvNgs0t/s1600-h/edb5bd068b161478ada30f7f70043d18.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 160px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAUufsL4DkIkWSqg7tVpLTZTQP5qY0ybh9U9KDr0qNC13CMhlowd31fv83_0-ior_Ck-kUoEJ9-VCLdDBqe5cORLTBlcKUPUlt0oBh5EWAdtQwBJw340A5zce2-knmJ8-q9rLHjsvNgs0t/s200/edb5bd068b161478ada30f7f70043d18.jpg" alt="" id="BLOGGER_PHOTO_ID_5317202827022124642" border="0" /></a><br /><span style="font-size:100%;"><br /><br /><br /><br /><br /><br /><br /><br /></span><br /><br />ROSSELLA BISCOTTI<br /><div><span class="Apple-style-span" style="font-style: italic;">L'Italia é una repubblica democratica fondata sul lavoro</span>, 2004<br />video DV PAL<br /><a href="http://www.rossellabiscotti.com/ctr/site/projectpopup.php?id=14"><target="_blank"></target="_blank"></a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVVQTSElRNBcMXQREQsB5v3IN32JJe524Nh-wmMupUaP8m60hxfDSYqXLPVjtfw_kcwl7ZcEVgjTUCqzS4Fd2klfVnTTLqYZbEca8nvypkfqVwM__cl9DXcxG7g7JV6B1k-J_BeYas6CqB/s1600-h/hugo+canoilas+like%2Ba%2Bdog.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 141px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVVQTSElRNBcMXQREQsB5v3IN32JJe524Nh-wmMupUaP8m60hxfDSYqXLPVjtfw_kcwl7ZcEVgjTUCqzS4Fd2klfVnTTLqYZbEca8nvypkfqVwM__cl9DXcxG7g7JV6B1k-J_BeYas6CqB/s200/hugo+canoilas+like%2Ba%2Bdog.jpg" alt="" id="BLOGGER_PHOTO_ID_5318197140569292210" border="0" /></a><br /><br /><br /><span style="font-size:100%;"><br /></span><span style="font-size:100%;"><br /><br /><br /><br /><br /><br /></span><br /><br />HUGO CANOILAS<br /><div><span style="font-size:100%;"><span style="font-style: italic;">Planalto</span>, 2009<br />mdf, acrílico, óleo, materiais variados <span style="color: rgb(102, 102, 102);">| mdf, acrilic and oil paint, several materials</span><br /></span></div> <div><span style="font-size:100%;"><br /></span></div><br /><span style="font-size:100%;"><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJsCX1zqM3N8UgMwAASOXtwMmMaM-9oMMtspbbboblk-ble2Wzsic2RTbktzhu3R0QB0xF14E76jHVSPwoy4iET4FWt3hT_kN5RqvCIVWMUF_L2kD6EULmMXi444gUzfi_PNi7GNznhNYy/s1600-h/-1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 131px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJsCX1zqM3N8UgMwAASOXtwMmMaM-9oMMtspbbboblk-ble2Wzsic2RTbktzhu3R0QB0xF14E76jHVSPwoy4iET4FWt3hT_kN5RqvCIVWMUF_L2kD6EULmMXi444gUzfi_PNi7GNznhNYy/s200/-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5319699851149535586" border="0" /></a><br /><br /><span style="font-size:100%;"><br /><br /><br /><br /><br /><br /></span></div><div><span style="font-size:100%;"><br />ASIER MENDIZABAL<br /></span><span class="Apple-style-span" style="font-style: italic;"> Zer eskatzen du herriak!? (What do people do !?)</span>, 2002<br />video DV PAL<br /><br /></div><div><div><span style="font-size:100%;"><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnrrfhFJgWW-YGtQXTdo0BhFuON8SgUbcMavhaVV1KnCFLxesmSAJwjFNKj0FDbeotuQMH60efA6Di0tJ8DH_VKgEdoYxKrJ6CRg69TQdAw-mH23eJyjYmA9Q6QP8pN00EUtiTMsWak8F4/s1600-h/Mariana+Silva.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnrrfhFJgWW-YGtQXTdo0BhFuON8SgUbcMavhaVV1KnCFLxesmSAJwjFNKj0FDbeotuQMH60efA6Di0tJ8DH_VKgEdoYxKrJ6CRg69TQdAw-mH23eJyjYmA9Q6QP8pN00EUtiTMsWak8F4/s200/Mariana+Silva.jpg" alt="" id="BLOGGER_PHOTO_ID_5318935714867051746" border="0" /></a><br /><span style="font-size:100%;"><br /><br /></span></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>MARIANA SILVA </div><div><span class="Apple-style-span" style="font-style: italic;">Herbert Bayer, 1923, </span>2009<br />notgeld (dinheiro de emergência) original desenhado por Herbert Bayer em 1923, formica, madeira, folhas reprolar <span style="color: rgb(102, 102, 102);">| notgeld (emergency money) originally designed by Herbert Bayer in 1923, formica, wood, reprolar paper</span><br /></div><div><br /></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-23313878255640167232009-03-24T03:46:00.000-07:002009-07-20T10:32:20.895-07:00<iframe marginheight="0" marginwidth="0" src="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=R.+dos+Navegantes+46A+LISBOA&sll=37.0625,-95.677068&sspn=43.713406,93.164063&ie=UTF8&ll=38.713895,-9.159186&spn=0.01172,0.018239&z=15&output=embed" frameborder="0" height="350" scrolling="no" width="400"></iframe><br /><small><a href="http://maps.google.com/maps?f=q&source=embed&hl=en&geocode=&q=R.+dos+Navegantes+46A+LISBOA&sll=37.0625,-95.677068&sspn=43.713406,93.164063&ie=UTF8&ll=38.713895,-9.159186&spn=0.01172,0.018239&z=15" style="color: rgb(0, 0, 255); text-align: left;">View Larger Map</a></small><br /><br /><span style="font-weight: bold;">MORADAS <span style="color: rgb(102, 102, 102);">/ ADDRESSES</span></span><br />ASSOCIAÇÃO ARTE CONTEMPO<br />R. dos Navegantes 46A<br />1200-732 Lisboa (Estrela/Lapa)<br />Portugal<br /><br />eventos <span style="color: rgb(102, 102, 102);">/ events</span><br />SPORT LISBOA E LAPA<br />Rua Buenos Aires 23 r/c<br />1200-662 Lisboa<br /><br /><span style="font-weight: bold;">HORÁRIO <span style="color: rgb(102, 102, 102);">/ OPENING HOURS</span></span><br />Quinta a Sábado, 15-19 h<br />Thurday to Saturday, 3-7 pm<br /><br /><span style="font-weight: bold;">COMO CHEGAR<span style="color: rgb(102, 102, 102);"> / HOW TO GET THERE</span></span><br />Autocarro/Bus 713, 727<br />Eléctrico/Tram 25, 28<br /><br /><span style="font-weight: bold;">CONTACTO <span style="color: rgb(102, 102, 102);">/ CONTACT</span></span><br />o.declive@gmail.com<br /><br /><span style="font-weight: bold;">ADVERTÊNCIA <span style="color: rgb(102, 102, 102);">/ WARNING</span></span><br />todas as imagens<span class="Unicode"> © dos artistas, todas as vistas de instalação </span><span class="Unicode">© Bruno Lopes</span><br /><span class="Unicode">all images</span><span class="Unicode"> © of the artists, all installation views </span><span class="Unicode">© Bruno Lopes<br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-80826507662992724692009-03-23T15:42:00.000-07:002009-06-23T16:41:50.908-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKO3IkHaGalSHiKx9Ya8bNobcqrMsZTqFNxHS8SKRyNc63vh6nKPE628g7bN51YOGnrUfkeIQG-vEl0qMTaTPse73Vqv3Z9DqBNLTadQIJBQXngw75DXWhgaUQ6ZqKmun-_Yvc6Q_4nmo/s1600-h/kk.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 350px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifKO3IkHaGalSHiKx9Ya8bNobcqrMsZTqFNxHS8SKRyNc63vh6nKPE628g7bN51YOGnrUfkeIQG-vEl0qMTaTPse73Vqv3Z9DqBNLTadQIJBQXngw75DXWhgaUQ6ZqKmun-_Yvc6Q_4nmo/s400/kk.jpg" alt="" id="BLOGGER_PHOTO_ID_5350672410493005602" border="0" /></a><br /><span style="color: rgb(102, 102, 102);"><span style="font-weight: bold;">(ENGLISH VERSION BELOW)</span><br /><br /></span><span style="font-weight: bold;">KUBLA KHAN *</span><br /><span style="font-weight: bold;">Ciclo Estados–Gerais</span><br /><span style="font-weight: bold;">28.05 - 20.06.2009</span><br /><br /><span style="font-weight: bold;">António Bolota (AO 1962)</span><br /><span style="font-weight: bold;">Ryan Foerster (CA 1983)</span><br /><span style="font-weight: bold;">Invernomuto (2003/ IT 1982, 1983)</span><br /><span style="font-weight: bold;">Ana Manso (PT 1984)<br />+<br /></span><div><span class="Apple-style-span" style="font-weight: bold;">Sister Corita Kent (US 1918-1986)<br /></span><br /><span style="font-style: italic;">*Kubla Khan ou “A Visão num Sonho” é um poema de Samuel Coleridge, que toma o nome do implacável imperador Chinês, por nele mencionar alguns dos seus episódios de vida. O poema escrito a jacto num sonho induzido por ópio, teria ficado para sempre inacabado por intromissão do Homem de Porlock, a figura literária do interruptor indesejado.</span><br /><br />O conceito de energia aplicado ao contexto da exposição que se apresenta, oscila entre um elemento ponderável, físico-químico, e algo que parece fugir ao terreno do classificável (positivo) pela extensão intuitiva e/ ou metafórica que pode incluir.<br /><br />Na viragem para o séc. XIX, Luigi Galvani iniciou uma série de experiências de animação de corpos animais e humanos mortos através do uso de corrente eléctrica, chegando ao conceito de energia animal: algo que anima os corpos; algo invisível mas quantificável; terreno; desligado de qualquer força exterior ao homem; em suma, nada que operasse para além do entendimento. Estas experiências de Galvanismo, além do seu impacto no imaginário literário do séc. XIX, dos quais se poderá referir o Frankenstein de Mary Shelley, podem adquirir um carácter exemplar, partindo para uma extrapolação que se pode ramificar numa abertura de sentido para dois lados: na percepção da comunidade humana como detentora de um capital energético humano, e numa simbolização da vontade.<br />Fará especial sentido falar de energia no contexto deste ciclo de programação. Ainda que autonomizado apenas neste último momento expositivo, a sua presença percorre todos os outros acontecimentos. Ao pensar sobre questões de produção, pensamento, acção; a energia, como uma vibração invisível, funciona como um motor de dinâmicas sociais, pensamento livre, revoluções. O seu uso metafórico consolidou-se quase como emblema da arte ocidental desde o Modernismo, exemplificando um ideal de acção, activismo, vontade.<br /><br />Neste sentido, uma tradição aparentemente trivial pode servir de fio condutor a uma série de exemplos. Uma variante gastronómica de um prato absolutamente banal adquire uma possibilidade demonstrativa: a confecção do cozido das furnas nas ilhas açorianas. Ao ser cozinhado pelo calor da terra em zonas de especial actividade geotérmica, o quotidiano da comunidade evoca um enraizamento no lugar tectónico onde se está.<br />Tanto as tradições de uma comunidade servem de catalisador a uma série de eventos que nas suas trocas e sinergias são detentores de uma energia motriz, como a energia de um lugar na Terra provoca entres os seus habitantes, numa comunhão com o mundo, a produção de ideias e artefactos absolutamente específicos.<br /><br />O colectivo italiano Invernomuto (IT, desde 2003) apresenta na exposição 'Whalesland', um trabalho que parte da subcultura black metal norueguesa, e que conta com a colaboração dos músicos John Duncan e OvO na banda-sonora. A conjugação de um filme “documental” com slides de paisagem genericamente associada à Escandinávia, mas na realidade captados na zona de Piacenza (norte de Itália), levanta a questão do que poderá haver num tal Lugar que fomente a efervescência de uma cultura de códigos e imagéticas próprias. Marcas de rituais ancestrais perpetuam naquele território, o “ Buco Della Balena” que dá ao trabalho o seu título e o seu eixo-charneira. Nada de visível nas imagens de algum modo estabelece uma relação causal com uma especificidade musical. A construção do Lugar entre o mito e o documentário, provoca uma convergência de energia entre elementos, unidos por premissas não estabelecidas à partida<br /><br />Ainda na definição da força de um Lugar, o trabalho de António Bolota (AO 1962), na sua acção sobre a escala e o peso no espaço, revela uma interferência invisível sobre o espectador. O peso (ou a ausência deste) sente-se no corpo mesmo sem ter realmente uma acção directa neste. Um objecto, mesmo que imobilizado milhares de anos contém uma energia potencial, armazenada silenciosamente, que eventualmente se pode manifestar ou não.<br /><br />Ryan Foerster (CA 1983), na sua prolífica produção editorial, sob um formato convencionado como fanzine, coloca sob o prisma da produção (output) uma ideia de energia geradora de sentido. Com recurso a materiais pouco polidos, o fazer torna-se equiparável ao o que fazer; uma insistência no acontecimento no real, acontecimento este provocado pelo Indivíduo segundo a sua vontade e enformado pelos códigos que lhe estão disponíveis.<br /><br />Numa separação do que, em relação a uma ideia de energia, pode ou não ser qualificável, o trabalho de Ana Manso (PT 1984) entra no terreno movediço do inexplicável. Em pintura poucas coisas podem ser atribuídas a fenómenos físicos, químicos, etc. A energia que de algum modo vive nos seus trabalhos não pode ser quantificável, identificando-se antes com os fenómenos abstractos como a separação da luz das trevas, da superação sobre humana ou a crença num futuro ou passado míticos. A ficção e a imaginação conduzem a um estado de vibração cerebral electromagnética que, contudo, não tem correspondência na produção desse mesmo imaginário.<br /><br />____________________________________________________________________<br /><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">KUBLA KHAN *</span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">Cycle Estates–General</span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">28.05 - 20.06.2009</span><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">António Bolota (AO 1962)</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Ryan Foerster (CA 1983)</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Invernomuto (2003/ IT 1982, 1983)</span><br /><span style="font-weight: bold;"><span style="color: rgb(102, 102, 102);">Ana Manso (PT 1984)</span><br /><span class="Apple-style-span" style="color: rgb(102, 102, 102);">+</span></span></div><div><span style="font-weight: bold;"><span class="Apple-style-span" style="color: rgb(102, 102, 102);">Sister Corita Kent (US 1918-1986)</span></span></div><div><span style="font-weight: bold;"><br /></span><span style="color: rgb(102, 102, 102); font-style: italic;">*Kubla Khan or “A Vision in a Dream: A fragment” is a poem by Samuel Coleridge that takes the name of the ruthless Chinese emperor, some of whose life episodes are mentioned. The poem was written in a stream of consciousness under the influence of an opium-induced dream, and was left forever unfinished due to the interference of the person from Porlock, the literary figure of the unwelcome interruptor.</span><br /><br /><span style="color: rgb(102, 102, 102);"> </span><span style="color: rgb(102, 102, 102);">The concept of energy, as applied to the context of the presented show oscillates between a ponderable physical-chemical element and something that seems to escape from the classifiable ground (positive) by the intuitive and/or metaphorical extension that it may include.</span><br /><br /><span style="color: rgb(102, 102, 102);">At the turn of the nineteenth century, Luigi Galvani initiated a series of animation experiments on the dead bodies of animals and humans by the use of electrical current. He arrived at the concept of animal energy, something that animates bodies, invisible but quantifiable; earthly, disconnected from any force exterior to man. To sum up, nothing that would operate beyond understanding. These experiments in Galvanism, besides their impact on the literary imaginary of the 19th century (of which you may refer to Mary Shelley´s Frankenstein), may acquire an exemplary character, moving to an extrapolation that results in the opening of two senses: the perception of human community as the owner of human energetic capital, and the symbolisation of will.</span><br /><br /><span style="color: rgb(102, 102, 102);">It would be pertinent to talk about energy in the context of this cycle. In spite of only being autonomous in this last exhibition, its presence runs alongside all the other activities. When thinking about issues of production, thought and action; energy, as an invisible vibration, works as a motor of social dynamics, freethought, revolutions. Its metaphorical use has been consolidated almost as an emblem of western art since Modernism, exemplifying an ideal of action, activism, will.</span><br /><br /><span style="color: rgb(102, 102, 102);">In this sense, an apparently trivial tradition can operate as a connecting thread between a series of examples. A gastronomic variant of an absolutely banal dish acquires a demonstrative possibility: the confection of cozido das furnas in the Azores, which is cooked by the heat of the earth in places of high geothermic activity. The day-to-day life of the community evokes a grounding in the tectonic site it sits upon. </span><br /><span style="color: rgb(102, 102, 102);">The traditions of a community operate as a catalyst for a series of events that, in their trades and synergies, possess a driving force in the same way that the energy of a place on Earth causes a communion between its inhabitants in the world, resulting in the production of ideas and artefacts that are absolutely specific.</span><br /><br /><span style="color: rgb(102, 102, 102);"> </span><span style="color: rgb(102, 102, 102);">The Italian collective Invernomuto (IT, since 2003) presents 'Whalesland', a work that takes Norwegian black metal culture as its starting point, and which soundtrack features the participation of musicians John Duncan and OvO. The conjugation of a “documentary” film with slides of landscape generically associated with Scandinavia but actually shot in Piacenza (north of Italy), raises the question of what might be in such a Place that foments the effervescence of a culture with its own codes and imagetics. Traces of ancient rituals still live in this territory, the “Buco Della Balena” that grants the work its title and its axis. Nothing visible in the images establishes a causal relationship with a musical specifity. The construction of Place, in between myth and documentary, causes a convergence of energy between elements united by non-established premises</span><span style="color: rgb(102, 102, 102);">.</span><br /><br /><span style="color: rgb(102, 102, 102);">While still trying to define the energy of a Place, the work of António Bolota (AO 1962), in its action on scale and weight in space, reveals an invisible interference with the viewer. The weight (or its absence) may be felt in the body itself without having a direct physical action. An object, even if immobilized for a thousand years, contains a potential energy stored silently, which may eventually be manifested or not.</span><br /><span style="color: rgb(102, 102, 102);"><br />Ryan Foerster (CA 1983), in his prolific editorial production under the conventioned format of the fanzine, puts forward an idea of energy that generates sense in the realm of production (output). Recurring to unpolished materials, doing becomes comparable to what to do, an insistence on the actual action. This action having been effected by the Individual according to his will, shaped by the codes that are available to him.</span><br /><br /><span style="color: rgb(102, 102, 102);">In a division between what may or may not be quantifiable, the work of Ana Manso (PT 1984), in that which concerns an idea of energy, moves into the swiftly-sinking terrain of the inexplicable. In painting, few things may be given, or attributed to physical-chemical phenomena The energy that lives in her works may not be quantifiable, identifying instead with abstract phenomena such as the separation of light from darkness, the super human overcoming or the belief in a mythical future or past. Fiction and imagination cause an electromagnetic cerebral vibration that, however, has no correspondence in the production of this same imaginary.</span></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-84099217255436326522009-03-23T15:01:00.001-07:002009-06-23T16:42:31.309-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Chn0hnAnOeNpXUJvmavfPXi-qIQk8QgMrMD2FUgcE2erIX0s-6lS_t9iYlGrCnqZybg0toojqq9IrQbZCHd7bew0SaE3enLRo-DI1giddm7xTXx6A83Cv2fzS9RRo0Kpw1HiTt25XuYg/s1600-h/futuro2.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 360px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Chn0hnAnOeNpXUJvmavfPXi-qIQk8QgMrMD2FUgcE2erIX0s-6lS_t9iYlGrCnqZybg0toojqq9IrQbZCHd7bew0SaE3enLRo-DI1giddm7xTXx6A83Cv2fzS9RRo0Kpw1HiTt25XuYg/s400/futuro2.jpg" alt="" id="BLOGGER_PHOTO_ID_5350672577561981666" border="0" /></a><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">(ENGLISH VERSION BELOW)<br /><br /></span><span style="font-weight: bold;">HISTÓRIA DO FUTURO</span><br /><span style="font-weight: bold;">Ciclo Estados–Gerais</span><br /><span style="font-weight: bold;">06.05 – 23.05 2009</span><br /><br /><span style="font-weight: bold;">Martin Beck (AT 1963)</span><br /><span style="font-weight: bold;">Joana Escoval (PT 1982)</span><br /><span style="font-weight: bold;">Marcellvs L. (BR 1980)</span><br /><span style="font-weight: bold;">Nuno da Luz (PT 1984)</span><br /><span style="font-weight: bold;">Eli Noyes (US 1942)</span><br /><br />Falar do Futuro pode ser facilmente entendido como falar de Utopia; mas, porventura, falar de utopias não implica invocar o Futuro – é evidentemente falar mais do Passado. Para lá da historiografia de futuros passados, duma arqueologia do pensamento utópico, o Futuro por si só não desenha uma História. É, pelo contrário, no Presente que se alicerça a crise e construção da história de um Futuro que, brevemente, há-de ser agora; que urge a eminência de uma acção enraizada no momento, num fazer concreto. Este fazer, no aqui e agora, constitui o movimento do Indivíduo no Mundo, possível construção de vida colectiva em processo, onde trabalho-obra e Mundo são já indissociáveis. Neste entendimento a Arte revela-se como empenho quotidiano, partindo de uma consciência concreta do Presente e das implicações de um rastreio acção-necessidade-consequência.<br /><br />A tradução deste fazer em acção directa, frontal e explicitamente construtiva, é evidente; mas, e não apenas em contraponto, o é por igual uma poética inerente à criação de estruturas que pensam a produção humana como troca entre meio e agente. Uma poética aberta a indeterminações, desvios e invisibilidades. Em ambos os casos é fundamental um sentido de Ecologia, de Ética. Próximo ao conceito das três ecologias de Guattari (social, mental e ambiental) não se trata da defesa de medidas e códigos de conduta, mas a compreensão da ordem das coisas, das suas posições e das relações entre estas, radicada na temporalidade como espaço de potência.<br /><br />Esta História do Futuro proporciona assim uma prospecção do terreno entre o possível e o real, entre necessidade e responsabilidade, a qual, pela autonomia própria à prática artística, supõe-se abrir o campo do fazer à especulação e experimentação. Estabelece um livre compromisso, no que isso implica enquanto causa e resultado como parte do Mundo.<br /><br />Sem fins determinados a justificar um meio, o trabalho de Joana Escoval (PT 1982) insere-se na constância do seu próprio processo, sendo os seus gestos indissociáveis da vida e de uma ética perante as coisas e a temporalidade, onde o desenho e a acção diária se desenvolvem como relação, distância e proximidade, geográfica, pessoal. Para esta exposição Escoval devolve-nos o tempo que, desde Olea Europaea var. Europaea (Fase intermédia) de 2007, tem dedicado ao acompanhamento das árvores que transplantou, do Alentejo para o Jardim Botânico de Lisboa, expondo-as e tratando destas no entretanto. Dois anos volvidos as presenças são outras. Este processo de trabalho não deve talvez assim ser encarado como peça, em oposição a um acompanhamento e convivência no tempo.<br /><br />Os vídeos de Marcellvs L. (BR 1980) [VideoRhizome, 2002 – em desenvolvimento] apresentam, a um primeiro momento, simples enquadramentos de cenas quotidianas, o desenrolar do mundo através do olhar-câmara, recorrendo a planos quase fixos e som capturado no local. Posteriormente, os vídeos escolhidos são numerados aleatoriamente e enviados, anonimamente, para códigos postais coincidentes com esses mesmos números, na criação de uma potencial comunidade inventada, uma estrutura que se auto-expande, nas palavras do artista. Este processo, partindo do conceito de Rizoma cunhado por Deleuze e Guattari, procede a uma reconstrução e inserção no Mundo incorporando o acaso como agente produtor de sentidos, numa procura de ordenação e reconhecimento de moldes e relações.<br /><br />Martin Beck (AT 1963), por seu turno, tem vindo a desenvolver uma obra que se pauta pelo questionamento e desconstrução de sistemas de exposição discursiva, relacionando narrativas diversas, reconfigurando dimensões históricas e ideológicas. Nesta exposição, Beck apresenta peças derivadas da pesquisa que tem efectuado em torno da Conferência Internacional de Design de Aspen (Colorado, US), de 1970, intitulada Environment as Design. Tendo como leitmotif o comunicado do The French Group à conferência, no vídeo The Environmental Witch-Hunt, Beck transfere a leitura deste, escrito por Jean Baudrillard, para as florestas arquétipo do Colorado, num movimento ambíguo entre contemplação da natureza e questionamento dos métodos dessa mesma contemplação e conservação.<br /><br />Intimamente relacionado com a pesquisa de Martin Beck, é apresentado o documentário Aspen: 70, de Eli Noyes (US 1942). Este filme foi apresentado por Beck, na sua exposição Panel 2: “Nothing better than a touch of ecology and catastrophe to unite the social classes…” (Londres, 2008) e é incluído, nesta exposição. Eli Noyes, filho de Eliot Noyes, à altura presidente da Conferência de Aspen, teve acesso completo a todo o funcionamento desta, e encontrou-se na posição de recolher as várias perspectivas e visões que naquele ano se confrontaram em Aspen, pelo “futuro” do mundo.<br /><br />O trabalho de Nuno da Luz (PT 1984), enquadra-se entre um experimentalismo da plasticidade sonora, destacando-se a acústica e a ressonância como presenças marcantes da sua pesquisa, e uma atenção particular às especificidades do Lugar, da sua história e de uma imagem de si. Ambos os campos procedem de uma antropologia sonora, de carácter tanto enciclopédico, preciso, como resultado de vivências próprias, sendo field recordings ou o coleccionismo recorrentes. O trabalho em exposição surge dessa valência de recolha do conhecimento e de uma tentativa-processo de devolução, num fluxo ecológico entre o dispêndio e a geração de energia.<br /><br />_____________________________________________________________<br /><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">HISTORY OF THE FUTURE</span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">Cycle Estates–General</span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">30.04 – 23.05 2009</span><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Martin Beck (AT 1963)</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Joana Escoval (PT 1982)</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Marcellvs L. (BR 1980)</span><br /><span style="font-weight: bold;"><span style="color: rgb(102, 102, 102);">Nuno da Luz (PT 1984)<br /></span></span><span style="font-weight: bold; color: rgb(102, 102, 102);">Eli Noyes (US 1942)</span><br /><span style="font-weight: bold;"><br /></span><span style="color: rgb(102, 102, 102);">Talking about the Future may easily be understood as talking about Utopia; but talking about utopias doesn’t necessarily imply invoking the Future - it is evidently talking more about the Past. Beyond the historiography of future pasts – an archaeology of utopian thinking –, the Future by itself alone does not draw a History. It is, on the contrary, in the Present that the crisis and construction of a history of the Future is founded, that, soon shall be now; that urges the eminence of an action grounded in the moment, in a concrete doing. This doing, here and now, constitutes the movement of the individual in the world, a possible construction of a collective life and process, where this work-life and World are indivisible. In this understanding, Art reveals itself as a day to day commitment, starting from a concrete consciousness of the Present and of the implications of an action-necessity-consequence scan.</span><br /><br /><span style="color: rgb(102, 102, 102);">The translation of this doing in direct action, frontal and explicitly constructive, is evident. But, and not just only as a counterpoint, it is equally evident that a poetry exists inherent to the creation of structures that think human production to be an exchange between environment and agent. A poetic that is open to indetermination, diversions and invisibilities. In both cases a sense of Ecology and Ethics is fundamental. Close to the concept of the three ecologies of Guattari, (social, mental, environmental) the concern is not only about the defence of measures and conduct codes but the comprehension of the order of things, of their positioning and the relationships between them, rooted in the temporality as a space of potency.</span><br /><br /><span style="color: rgb(102, 102, 102);">This History of the Future thus provides a prospection of the field between the possible and the real, between necessity and responsibility; which, by the characteristic autonomy of the artistic practice, is supposed to open the field of doing to speculation and experimentation. It establishes a free compromise, in everything that that implies as cause and effect in the World.</span><br /><br /><span style="color: rgb(102, 102, 102);">With no determined ends to justify means, the work of Joana Escoval (PT 1982) is inserted in the constancy of its own process, her gestures being inextricable from life and an ethic towards things and temporality, where drawing and daily action develop themselves as relation, distance and proximity, geographical, personal. For this exhibition Escoval returns to us the time that she has dedicated since Olea Europaea var. Europaea (Fase intermédia) of 2007: accompanying the trees she transplanted from Alentejo to the Botanical Garden in Lisbon, exhibiting them, and taking care of them in the meanwhile. Two years later the presences have changed. This process of work maybe shouldn’t be taken as a piece, but rather as an accompaniment and coexistence in time.</span><br /><br /><span style="color: rgb(102, 102, 102);">The vídeos of Marcellvs L. (BR 1980) [VideoRhizome, 2002 – in progress] present, at first, a simple framing of everyday events; the unrolling of the world behind the eye-camera, recurring to almost still shots and sound recorded at the scene. Afterwards, the videos chosen are randomly numbered and sent anonymously to postal codes coinciding with these same numbers, creating a potential invented community, a structure that auto-expands itself in the artist’s own words. This process, starting from the concept of Rizome given by Deleuze and Guattari, proceeds with a reconstruction and insertion in the world incorporating chance as a producer of meaning in a search for order and a recognition of patterns and relationships.</span><br /><br /><span style="color: rgb(102, 102, 102);">Martin Beck (AT 1963), on his side, has been developing a work led by the questioning and deconstruction of systems of discursive presentation, relating diverse narratives, reconfiguring historical and ideological dimensions. In this show, Beck presents pieces derived from his on-going research around The Aspen International Design Conference (Colorado, US), of 1970, entitled Environment as Design. Using the announcement written by Jean Baudrillard and made by The French Group at the conference as a leitmotif, the video The Environmental Witch Hunt transfers its reading to the archetypal forests of Colorado, in an ambiguous movement between contemplation of nature and the questioning of these same methods of contemplation and conservation.</span><br /><br /><span style="color: rgb(102, 102, 102);">Intimately related to the research of Martin Beck, the documentary Aspen: 70 by Eli Noyes (US 1942), is presented. This film was shown by Beck, in his exhibition Panel 2: “Nothing better than a touch of ecology and catastrophe to unite the social classes…” (London, 2008). Eli Noyes, son of Eliot Noyes, at the time Chairman at the Aspen Conference, had full access to its functioning and collected several perspectives and visions, confronted that year in Aspen, for a “future” world.”</span><br /><br /><span style="color: rgb(102, 102, 102);">The work of Nuno da Luz (PT 1984) finds itself between an experimentalism in sound plasticity, acoustic and resonance being particularly relevant in his research, and a special attention to the specificities of Place; of its history and its image. Both sides proceed from an anthropology of sound, be it within a more precise encyclopedic character, or as a result from personal experience, field recordings and collectionism often reoccurring. The work shown comes from this possibility of the collection of knowledge and of an attempt-process of devolution, in an ecological flux between expenditure and generation of energy.</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-3649747235044013956.post-88734168962319506132009-03-23T14:36:00.000-07:002009-04-24T16:46:14.440-07:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPzZfSe9Hw6aIpJckrVzP_YFT90Xzg9vtdVrWcBrCk8NsE_w3wZ9hW3_HqHG6wFRCXGJ2MpzCBTdFn8LGY3FQWCkNSvFoYYTP09dqRaEUqh5aKsR_YC6XUNPn3Xenr4dfhY0zTCsw78fgg/s1600-h/expo1a.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 351px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPzZfSe9Hw6aIpJckrVzP_YFT90Xzg9vtdVrWcBrCk8NsE_w3wZ9hW3_HqHG6wFRCXGJ2MpzCBTdFn8LGY3FQWCkNSvFoYYTP09dqRaEUqh5aKsR_YC6XUNPn3Xenr4dfhY0zTCsw78fgg/s400/expo1a.jpg" alt="" id="BLOGGER_PHOTO_ID_5328408444681943554" border="0" /></a><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">(ENGLISH VERSION BELOW)</span><br /><span style="font-weight: bold;"><br />REPÚBLICA OU O TEATRO DO POVO</span><br /><span style="font-weight: bold;">Ciclo Estados–Gerais</span><br /><span style="font-weight: bold;">04.04 - 25.04 2009</span><br /><br /><span style="font-weight: bold;">Rossella Biscotti (IT 1978)<br /></span><span style="font-weight: bold;">Hugo Canoilas (PT 1977)</span><br /><span style="font-weight: bold;">Asier Mendizabal (ES 1973)</span><br /><span style="font-weight: bold;">Mariana Silva (PT 1983) </span><br /><span style="font-weight: bold;">+<br />Herbert Bayer (AT 1900 - US 1985)</span><br /><br />Na crença do colectivo como produtor de um contexto vivencial, social ou ideal, a exposição República ou o Teatro do Povo procura pôr em confronto diferentes perspectivas de reflexão da posição do Sujeito enquanto elemento preponderante de resistência e edificação de estruturas sociais no interior deste mesmo colectivo.<br />Esta noção do Sujeito enquanto Indivíduo de eminente responsabilidade social, o qual somente pela sua afirmação se constitui alicerce tanto fundador como regulador de um determinado Estado ou sistema de Lei, abrirá o caminho para a uma autonomia da Estética, validada enfim pelo desenraizar do Indivíduo do Sujeito. Será igualmente esta noção de responsabilidade e acção do Indivíduo a, através da sua transversalidade social, sustentar a ideia de povo enquanto massa, ou seja, a reconhecer a capacidade do todo como agente.<br />Neste sentido, e desde então, a ambiguidade entre a autonomia do Indivíduo enquanto capaz de juízo reflexivo e a sua inclusão num colectivo como força motora (do Estado e da Revolução) tem-se revelado como uma das questões fundamentais na relação entre as Artes, o Artista e o seu posicionar social.<br /><br />Por outro lado, o posicionamento do actor no público, ou por outras palavras o reconhecimento do Artista no Indivíduo, como se pode ler no ensaio pré-modernista Le Théâtre du Peuple, de Romain Rolland, um de entre vários tratados que na viragem do séc. XIX aproximaram o Teatro de ideais de democratização, indicia o princípio da pretensão das Artes à constituição ideal da Estética para a comunidade igualitária ou de uma comunidade Estética igualitária propriamente dita.<br /><br />É nesta indefinição do trabalho no intervalo entre o Colectivo e o Individual, entre um potencial e sempre possível anonimato do autor e a procura, bem como a partilha, da autoria na apropriação do anónimo, isto é, o Artista como trabalhador comum ou a possibilidade de qualquer como possível artista, que os trabalhos expostos se determinam.<br /><br />Partindo de uma intuída absorção cultural do colectivo, das suas ramificações e da disseminação de símbolos ideológicos, Asier Mendizabal (ES 1973) explicita, a diferentes graus de aproximação e envolvimento, o poderio encontrado na referida promiscuidade dos papéis autorais. Esta dá-se sob um recorrente, e fundamental para as questões que levanta, cenário de fundo: o País Basco; relevando deste modo um sentido de Local e de transcendência exemplificativa.<br /><br />Hugo Canoilas (PT 1977), por outro lado, tem vindo a desenvolver a sua prática precisamente numa indefinição de posicionamento, tanto estético como autoral. Esta ambiguidade traduz uma urgência de conflito e reposicionamento do espectador, na visão e no envolvimento deste como fulcral para a compreensão das propostas, as quais têm vindo a recorrer à apropriação de linguagens anónimas e ideologias múltiplas e incompatíveis.<br /><br />Através da apresentação de Notgeld – dinheiro de emergência – desenhado por Herbert Bayer em período de inflação económica (República de Weimar; 1923), Mariana Silva (PT 1983) expõe a inclusão anónima de uma linguagem estética no sistema de circulação económica. O gesto da artista assume um distanciamento autoral do apresentado, de modo à devolução nua do facto histórico ao público, num enquadramento transversal à sua prática em torno de contextos históricos e sociais precisos os quais trabalha a diferentes graus de abstracção ou claridade expositiva.<br /><br />Em L'Italia é una repubblica democratica fondata sul lavoro Rossella Biscotti (IT 1978) contrapõe a construção precária de bens de primeira necessidade – uma barraca e um barco – à constituição de um Estado de direito e o Trabalho como mecanismo de construção identitária e comunal. A peça apresentada, de 2004, é marcante no seu percurso pelo aprofundamento que representa na sua pesquisa, a qual se tem vindo a desenvolver em torno da relação entre Estado e Sociedade e o entendimento da Arte enquanto dispositivo de poder.<br /><br />______________________________________________________________<br /><br /><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">REPUBLIC OR </span><span style="color: rgb(102, 102, 102); font-weight: bold;">THE PEOPLE'S</span><span style="color: rgb(102, 102, 102); font-weight: bold;"> THEATRE</span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">Cycle Estates–General</span><br /><span style="color: rgb(102, 102, 102); font-weight: bold;">04.04 - 25.04 2009</span><br /><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Rossella Biscotti (IT 1978)<br /></span><span style="font-weight: bold; color: rgb(102, 102, 102);">Hugo Canoilas (PT 1977)</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Asier Mendizabal (ES 1973)</span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">Mariana Silva (PT 1983) </span><br /><span style="font-weight: bold; color: rgb(102, 102, 102);">+<br />Herbert Bayer (AT 1900 - US 1985)</span><br /><br /><span style="color: rgb(102, 102, 102);">While believing the collective to be the producer of an experiential context, social or ideal, Republic or the Theatre of the People seeks a confrontation between different perspectives on the position of the Subject; as a preponderant element of resistance and edification in social structures and in the interior of this collective.</span><br /><span style="color: rgb(102, 102, 102);">This notion of the Subject as an Individual of eminent social responsibility who only through self-affirmation will become a founding basis, as much as a regulator of a certain State or system of Law, opened the path for an autonomy of Aesthetics, validated by the displacement of the Individual from the Subject. Likewise, this notion of responsibility and action of the Individual, through its social transversality, sustains the idea of People as mass, i.e. recognising the capacity of the whole as an agent.</span><br /><span style="color: rgb(102, 102, 102);">In this sense (and since then), the ambiguity of the autonomy of the Individual, as capable of a reflexive judgement and being included in a collective as a driving force, (of the State and the Revolution) has revealed itself as one of the fundamental questions in the relation between the Arts, the Artist and its social position.</span><br /><br /><span style="color: rgb(102, 102, 102);">On the other hand, the positioning of the actor in the public, or in other words the recognition of the Artist in the Individual, (as one can read in the pre-modernist essay Le Théâtre du Peuple, by Romain Rolland, one among numerous treaties that at the turning of the 19th century brought together the Theatre and ideals of democratisation) indicates the beginning of the pretension of the Arts to constitute the Aesthetic ideal for the egalitarian community, or the Aesthetic-egalitarian community itself.</span><br /><br /><span style="color: rgb(102, 102, 102);">The works shown define themselves in the space between the Collective and the Individual; between a potential and always possible anonymity of the author and the search for (as well as the sharing of) authorship in this appropriation: the Artist as a common worker or the possibility of anyone as an Artist.</span><br /><br /><span style="color: rgb(102, 102, 102);">Starting from an intuitive cultural absorption of the collective, of its ramifications and the dissemination of ideological symbols; Asier Mendizabal (ES 1973), makes explicit, to different degrees of approximation and involvement, the power found in the referred promiscuity of the authorial roles. This is given in a recurrent background (The Basque Region), fundamental to the questions it raises, in this way highlighting a sense of Place and exemplificative transcendency.</span><br /><br /><span style="color: rgb(102, 102, 102);">Hugo Canoilas (PT 1977), on the other hand, has been developing his practice in an indefinition of positioning, as much aesthetic as authorial. This ambiguity translates into an urgency of conflict and repositioning of the viewer, with its vision and involvement as crucial for the comprehension of the proposals, which have been recurring to the appropriation of anonymous languages and multiple, incompatible ideologies.</span><br /><br /><span style="color: rgb(102, 102, 102);">Through the presentation of Notgeld- emergency money- designed by Herbert Bayer in a period of economic inflation (Weimar Republic, 1923), Mariana Silva (PT 1983) shows the anonymous inclusion of an aesthetic language in the system of economic circulation. The artist´s gesture assumes an authorial distance from the presented work, in order to crudely return the historical fact to the public, in a framing transverse to her practice around precise historical and social contexts which she works to different degrees of abstraction or clarity in presentation. </span><br /><br /><span style="color: rgb(102, 102, 102);">In L'Italia é una repubblica democratica fondata sul lavoro, Rossella Biscotti (IT 1978) contrasts the precarious construction of basic human necessities -a shack and a boat- to the constitution of a Rule of Law and the Work as a mechanism of identitarian and communal construction. The piece shown, from 2004, is important in the furthering of her research, which has been developing itself around the relationship between State and Society and the understanding of Art as a power device.<br /><br /><br /></span>Unknownnoreply@blogger.com